"I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors"
About this Quote
There is an entire philosophy of craft packed into Farnsworth's plainspoken flex: he lists the giants, then shrugs it off with "some real good directors", as if canon-building were just another day at work. That understatement is the point. Coming from an actor who spent decades as a working pro, the line reads less like name-dropping and more like a statement of provenance: he learned his trade in the factory system of classic Hollywood, where competence was currency and ego was a liability.
The specific intent is to establish credibility without performing self-importance. Ford, Hawks, Hathaway, Walsh are not just famous names; they're shorthand for a disciplined, pace-driven filmmaking culture that prized clarity, blocking, and story mechanics over therapy-session acting. By placing himself in their orbit, Farnsworth quietly signals a kind of apprenticeship: you didn't need to talk about process because the set itself was the process. The subtext: I was there when directors drove the bus, when movies were made by adults with stopwatches, and when an actor's job was to hit the mark, tell the truth, and not waste time.
It's also a gentle critique of later eras that treat filmmaking as personality cult. Farnsworth's tone implies that greatness isn't mystical; it's managerial, tactile, earned in repetition. The context matters: he was often cast as the steady hand, the weathered decency. This quote extends that persona into real life, turning Hollywood history into something refreshingly unromantic: excellence, to him, looks like people doing their jobs well.
The specific intent is to establish credibility without performing self-importance. Ford, Hawks, Hathaway, Walsh are not just famous names; they're shorthand for a disciplined, pace-driven filmmaking culture that prized clarity, blocking, and story mechanics over therapy-session acting. By placing himself in their orbit, Farnsworth quietly signals a kind of apprenticeship: you didn't need to talk about process because the set itself was the process. The subtext: I was there when directors drove the bus, when movies were made by adults with stopwatches, and when an actor's job was to hit the mark, tell the truth, and not waste time.
It's also a gentle critique of later eras that treat filmmaking as personality cult. Farnsworth's tone implies that greatness isn't mystical; it's managerial, tactile, earned in repetition. The context matters: he was often cast as the steady hand, the weathered decency. This quote extends that persona into real life, turning Hollywood history into something refreshingly unromantic: excellence, to him, looks like people doing their jobs well.
Quote Details
| Topic | Movie |
|---|
More Quotes by Richard
Add to List


