"I would hardly call myself an artist in that sense; I doodle, I draw, I'm not a trained artist, I couldn't sit down and do an accurate portrait of anyone"

Rene Auberjonois, an accomplished star, recommends a modest point of view about his artistic abilities in this quote. At its core, Auberjonois is differentiating in between being a professional, or typically trained, artist and someone who participates in art more casually or spontaneously, like doodling or sketching. This difference exposes a humility and an acknowledgment of the discipline and skill that professional artistry often needs.

When Auberjonois discusses, "I would hardly call myself an artist in that sense", he is recognizing a particular standard or set of criteria that is often connected with being a "true" or professional artist. It suggests a level of technical efficiency, official education, or artistic achievement that he feels he does not possess. This might also highlight his respect for those who have committed significant effort and time to mastering their craft.

His admission of "I doodle, I draw" communicates a love for creating art in a more casual, perhaps instinctual manner. Doodling is typically viewed as an act of thoughtless imagination, something carried out in relaxed or sidetracked minutes, recommending that his engagement with art is more for individual complete satisfaction and delight, instead of external validation or expert endeavor.

Moreover, Auberjonois's remark, "I couldn't take a seat and do an accurate portrait of anyone", accentuates the technical ability involved in portraiture, one of the most challenging art forms, needing accurate observation and rendering abilities. This declaration might serve to show a particular criteria for creative skill in his mind.

Overall, this quote provides insight into Auberjonois's point of view on the various levels of art practice. It underscores his humility, genuine gratitude for the art type, and perhaps a touch of self-deprecation while commemorating his own pleasure and personal interaction with illustration. It serves as a pointer that one can engage deeply and meaningfully with art without always fitting traditional meanings or having professional training.