"I would have to agree, that I'm probably more intense than Brian or Kurt, competitive because, I was always like this, always being that way, always real competitive"
About this Quote
Intensity is a funny kind of self-portrait: it can read like swagger, insecurity, or just a blunt inventory of what it takes to win. Elvis Stojko’s line lands as all three. He’s not selling mystique or artistry here; he’s staking a claim in the most athlete-coded currency possible: competitiveness as identity, not strategy. “Probably more intense” softens the boast just enough to sound reasonable, while still drawing a boundary between him and “Brian or Kurt” - likely peers whose reputations (or public personas) leaned less hard-edged. It’s a subtle status move: he’s not saying they’re worse, he’s saying he’s built different.
The repetition does the real work. “Always like this, always being that way, always real competitive” is less eloquence than compulsion, a verbal loop that mirrors a mindset you can’t switch off. That’s the subtext: intensity isn’t a choice he’s making for a given season; it’s the permanent operating system. In a sport like figure skating, where audiences are trained to talk about grace, beauty, and “art,” Stojko’s phrasing pushes against the aesthetic packaging and insists on the underlying brutality of elite performance. He frames himself closer to a fighter than a dancer.
Contextually, it fits an era when male skaters were negotiating masculinity on televised ice, and when athletes were increasingly expected to narrate themselves. Stojko leans into the simplest narrative available: I compete, therefore I am.
The repetition does the real work. “Always like this, always being that way, always real competitive” is less eloquence than compulsion, a verbal loop that mirrors a mindset you can’t switch off. That’s the subtext: intensity isn’t a choice he’s making for a given season; it’s the permanent operating system. In a sport like figure skating, where audiences are trained to talk about grace, beauty, and “art,” Stojko’s phrasing pushes against the aesthetic packaging and insists on the underlying brutality of elite performance. He frames himself closer to a fighter than a dancer.
Contextually, it fits an era when male skaters were negotiating masculinity on televised ice, and when athletes were increasingly expected to narrate themselves. Stojko leans into the simplest narrative available: I compete, therefore I am.
Quote Details
| Topic | Sports |
|---|---|
| Source | Help us find the source |
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