"I would hope they would be our fellow artists, rather than trying to emulate or idolize clowns like us"
About this Quote
There’s a delicious bait-and-switch in Maynard James Keenan calling himself a “clown” while asking to be taken seriously. It’s self-deprecation with teeth: a way to puncture the sacred aura fans build around musicians without pretending the relationship isn’t lopsided. “I would hope” lands as polite, but it’s also a boundary. He’s not begging for respect; he’s refusing the terms of celebrity worship.
The key move is the pivot from “fellow artists” to “emulate or idolize.” He’s not condemning influence; he’s condemning submission. To emulate is to copy the surface: the vocal affect, the stage posture, the myth. To be a “fellow artist” is to metabolize what you love into something new, to meet the work as an equal rather than as a disciple. Keenan’s phrasing implies that fandom can be an aesthetic dead end: a loop where identity is outsourced to the famous.
The “clowns like us” line also nods to the performance contract at the heart of rock culture. The musician is literally paid to be a spectacle, to make big feelings portable for strangers. Keenan’s subtext: don’t confuse the costume with a philosophy. Idolizing the clown is mistaking the job for the person, the brand for the craft. In an era of parasocial intimacy and algorithmic hero-making, the quote reads like a warning label: admire the art, but don’t surrender your authorship.
The key move is the pivot from “fellow artists” to “emulate or idolize.” He’s not condemning influence; he’s condemning submission. To emulate is to copy the surface: the vocal affect, the stage posture, the myth. To be a “fellow artist” is to metabolize what you love into something new, to meet the work as an equal rather than as a disciple. Keenan’s phrasing implies that fandom can be an aesthetic dead end: a loop where identity is outsourced to the famous.
The “clowns like us” line also nods to the performance contract at the heart of rock culture. The musician is literally paid to be a spectacle, to make big feelings portable for strangers. Keenan’s subtext: don’t confuse the costume with a philosophy. Idolizing the clown is mistaking the job for the person, the brand for the craft. In an era of parasocial intimacy and algorithmic hero-making, the quote reads like a warning label: admire the art, but don’t surrender your authorship.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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