"I wouldn't describe that "position" as "parasitic." I'd describe that experience as "edifying." I don't merely write from a critical intellectual distance. I actually live around here"
About this Quote
Sterling’s refusal of the word "parasitic" is a small act of boundary-setting that reveals a larger anxiety about the writer’s role: are you feeding off a scene, or participating in it? He answers with a pivot to "edifying", a term that’s almost old-fashioned in its moral confidence. It’s not just that the experience was useful; it improved him. That choice quietly elevates proximity from mere access to apprenticeship, suggesting that immersion is a form of earned knowledge, not opportunism.
The jab at "critical intellectual distance" targets a familiar posture in cultural commentary: the aloof observer who stays clean by staying far. Sterling frames that distance as suspect, a kind of antiseptic detachment that can slide into condescension. His counterclaim - "I actually live around here" - is doing double work. Literally, it asserts embeddedness: he’s not a tourist. Culturally, it’s a credibility play against gatekeepers who police who gets to narrate a community, a subculture, a tech scene, a city.
It also hints at the specific ecosystem Sterling comes from: science fiction and cyberpunk, genres that have always been tangled with real-world networks of clubs, zines, conventions, early digital culture, and the messy social life of ideas. To write "around here" is to admit contamination: you are shaped by what you describe. The subtext is a demand that we treat that contamination as a feature, not a flaw - that criticism can be accountable, lived-in, and still sharp.
The jab at "critical intellectual distance" targets a familiar posture in cultural commentary: the aloof observer who stays clean by staying far. Sterling frames that distance as suspect, a kind of antiseptic detachment that can slide into condescension. His counterclaim - "I actually live around here" - is doing double work. Literally, it asserts embeddedness: he’s not a tourist. Culturally, it’s a credibility play against gatekeepers who police who gets to narrate a community, a subculture, a tech scene, a city.
It also hints at the specific ecosystem Sterling comes from: science fiction and cyberpunk, genres that have always been tangled with real-world networks of clubs, zines, conventions, early digital culture, and the messy social life of ideas. To write "around here" is to admit contamination: you are shaped by what you describe. The subtext is a demand that we treat that contamination as a feature, not a flaw - that criticism can be accountable, lived-in, and still sharp.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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