"I write funny. If I can make my wife laugh, I know I'm on the right track. But yes, I don't like to get Maudlin. And I have a tendency towards it"
About this Quote
Comedy, for Gene Wilder, is less a performance than a domestic lie detector. “If I can make my wife laugh, I know I’m on the right track” shrinks the feedback loop down to one person whose taste he trusts and whose presence he can’t escape. It’s a quietly radical standard in an industry built on test screenings and ego: the joke has to land in a real room, with someone who knows your tells, your habits, your soft spots. Wilder’s best work always carried that intimate calibration. The silliness is meticulous, but it’s tethered to human recognition rather than applause.
Then he admits the engine underneath: “I don’t like to get maudlin. And I have a tendency towards it.” That’s the subtext that makes the first line feel earned. Wilder isn’t claiming comedy as his natural default; he’s describing it as a discipline, almost a guardrail. The capital-M “Maudlin” reads like a character he’s trying not to invite onstage - sentimentality with bad timing, emotion that tips into self-pity, sweetness that curdles into manipulation.
Context matters: Wilder came up in a mid-century tradition where comedy often smuggled sadness (vaudeville, silent clowns, Jewish humor, postwar anxiety) but punished overt sincerity as “soft.” His genius was turning that tension into a style: innocence that cracks into hysteria, gentleness that suddenly combusts. The quote shows the craft choice behind it. He’s not avoiding feeling; he’s controlling the spill. The wife’s laugh is the meter that tells him the emotion is still in service of the joke, not the other way around.
Then he admits the engine underneath: “I don’t like to get maudlin. And I have a tendency towards it.” That’s the subtext that makes the first line feel earned. Wilder isn’t claiming comedy as his natural default; he’s describing it as a discipline, almost a guardrail. The capital-M “Maudlin” reads like a character he’s trying not to invite onstage - sentimentality with bad timing, emotion that tips into self-pity, sweetness that curdles into manipulation.
Context matters: Wilder came up in a mid-century tradition where comedy often smuggled sadness (vaudeville, silent clowns, Jewish humor, postwar anxiety) but punished overt sincerity as “soft.” His genius was turning that tension into a style: innocence that cracks into hysteria, gentleness that suddenly combusts. The quote shows the craft choice behind it. He’s not avoiding feeling; he’s controlling the spill. The wife’s laugh is the meter that tells him the emotion is still in service of the joke, not the other way around.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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