"I'd like my records to reach as many people as possible, but I'm also thinking in terms of how I can keep from getting jaded or unhappy with the process"
About this Quote
Oldham is sketching the tightrope every indie-minded musician eventually has to walk: wanting the work to travel, while refusing to let “reach” become a personality disorder. The first clause is disarmingly plain - he’s not performing the cool-kid disdain for popularity. He wants listeners, lots of them. That candor matters because Oldham’s career (Bonnie “Prince” Billy, Palace, a shape-shifting catalog that dodges easy branding) has been built on a kind of principled slipperiness, a resistance to the music industry’s demand for a stable product. He’s admitting ambition without surrendering to the machinery that usually comes with it.
The second clause is where the real message sits: “the process” is the job, not the myth. Oldham isn’t worried about making a bad record as much as becoming the kind of person who makes records badly - numbed out, resentful, chasing the wrong dopamine. “Jaded” is a backstage word, the slow corrosion that happens when the creative act gets replaced by upkeep: promo cycles, audience expectations, career narratives, the pressure to repeat what worked last time. “Unhappy” lands even harder; it’s the anti-romance of artistry, refusing the idea that suffering is proof of seriousness.
It’s also a quiet critique of hustle culture before the term hardened into cliché. Oldham frames sustainability as an artistic choice, not self-care branding: protect the inner conditions that make making worth it, even if that means sabotaging the neat upward trajectory the industry loves.
The second clause is where the real message sits: “the process” is the job, not the myth. Oldham isn’t worried about making a bad record as much as becoming the kind of person who makes records badly - numbed out, resentful, chasing the wrong dopamine. “Jaded” is a backstage word, the slow corrosion that happens when the creative act gets replaced by upkeep: promo cycles, audience expectations, career narratives, the pressure to repeat what worked last time. “Unhappy” lands even harder; it’s the anti-romance of artistry, refusing the idea that suffering is proof of seriousness.
It’s also a quiet critique of hustle culture before the term hardened into cliché. Oldham frames sustainability as an artistic choice, not self-care branding: protect the inner conditions that make making worth it, even if that means sabotaging the neat upward trajectory the industry loves.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
More Quotes by Will
Add to List



