"I'd like to do a comedy with Emma Thompson. I admire her as an actress so much. I love her. And I didn't know it until recently that her whole career started in comedy"
About this Quote
Gene Wilder’s wish to do a comedy with Emma Thompson lands like a small, affectionate correction to how prestige works. Thompson is widely filed under “serious actress,” the kind who collects awards in period costumes, while Wilder is permanently associated with comic immortality. His line quietly punctures that hierarchy: comedy isn’t a detour from “real” acting, it’s often the engine that builds it.
The key move is the pivot: “I love her. And I didn’t know... her whole career started in comedy.” That admission of late discovery isn’t ignorance so much as a confession about cultural branding. Thompson’s comedy roots (sketch, timing, linguistic agility) get erased when an actor becomes a symbol of gravitas. Wilder’s intent is collaborative and reverent, but the subtext is slightly sharper: we’ve been trained to forget that the best dramatic performers are often, first, comedians.
There’s also a self-portrait embedded here. Wilder’s own comedy was never just punchlines; it depended on sincerity, restraint, and the willingness to play emotional stakes straight. By choosing Thompson, he’s signaling a shared craft ethic: comedy as disciplined acting, not mugging. The fantasy pairing isn’t random; it’s a desire for a certain kind of smart, adult comedy where wit and feeling coexist.
Context matters: Wilder, late-career, speaking with the freedom of legacy, frames admiration as curiosity. He’s not pitching a project so much as proposing an alliance between two reputations that the culture insists on keeping in separate rooms.
The key move is the pivot: “I love her. And I didn’t know... her whole career started in comedy.” That admission of late discovery isn’t ignorance so much as a confession about cultural branding. Thompson’s comedy roots (sketch, timing, linguistic agility) get erased when an actor becomes a symbol of gravitas. Wilder’s intent is collaborative and reverent, but the subtext is slightly sharper: we’ve been trained to forget that the best dramatic performers are often, first, comedians.
There’s also a self-portrait embedded here. Wilder’s own comedy was never just punchlines; it depended on sincerity, restraint, and the willingness to play emotional stakes straight. By choosing Thompson, he’s signaling a shared craft ethic: comedy as disciplined acting, not mugging. The fantasy pairing isn’t random; it’s a desire for a certain kind of smart, adult comedy where wit and feeling coexist.
Context matters: Wilder, late-career, speaking with the freedom of legacy, frames admiration as curiosity. He’s not pitching a project so much as proposing an alliance between two reputations that the culture insists on keeping in separate rooms.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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