"I'd like to do a pop album with an R and B influence. I definitely want to have those big ballads with the uptempo hits as well"
About this Quote
Pia Toscano’s sentence reads like a mission statement from the post-Idol pop-industrial complex: prove you can sing, then prove you can sell. The intent is practical and strategic. She’s naming a lane - pop with R&B influence - broad enough to be radio-friendly, specific enough to signal taste, vocal seriousness, and a little edge. “Influence” is doing quiet work here: it promises groove and melisma without scaring off Top 40 programmers who still want clean hooks and familiar structures.
The subtext is about control. Coming out of a televised talent pipeline, an artist is often treated like a voice in search of a product. Toscano flips that dynamic by articulating the product herself: she wants range, not just range as a singer, but range as a brand. “Big ballads” advertise credibility and emotional authority - the kind of performance that turns a contestant into a capital-V Vocalist. “Uptempo hits” is the other half of the bargain: don’t just move people, move units. She’s preempting the critique that powerhouse singers are one-note, destined for adult-contemporary purgatory.
Context matters: this is the era when pop was aggressively hybridizing, with R&B rhythmic language underwriting mainstream choruses, and when labels looked for artists who could plausibly inhabit multiple playlists. Toscano’s phrasing is careful, almost A&R-ready, because it’s really a pitch: let me be the singer with the big feelings and the beat - the one who can soundtrack your heartbreak and your Friday night.
The subtext is about control. Coming out of a televised talent pipeline, an artist is often treated like a voice in search of a product. Toscano flips that dynamic by articulating the product herself: she wants range, not just range as a singer, but range as a brand. “Big ballads” advertise credibility and emotional authority - the kind of performance that turns a contestant into a capital-V Vocalist. “Uptempo hits” is the other half of the bargain: don’t just move people, move units. She’s preempting the critique that powerhouse singers are one-note, destined for adult-contemporary purgatory.
Context matters: this is the era when pop was aggressively hybridizing, with R&B rhythmic language underwriting mainstream choruses, and when labels looked for artists who could plausibly inhabit multiple playlists. Toscano’s phrasing is careful, almost A&R-ready, because it’s really a pitch: let me be the singer with the big feelings and the beat - the one who can soundtrack your heartbreak and your Friday night.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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