"I'd like to just be a little bit more open to making mistakes and not worrying about it so much"
About this Quote
For someone who built a career on distortion, defiance, and a refusal to ask permission, Joan Jett admitting she wants to be “more open to making mistakes” lands as a quiet flex. Rock mythology treats confidence like armor: you’re supposed to be unshakeable, to hit the stage like you were born knowing every chord. Jett’s line pries open that myth and shows the more interesting engine underneath it: the willingness to risk looking wrong in public.
The phrasing matters. “Just a little bit” is a softener, the kind people use when they’ve spent decades being evaluated - by labels, crowds, critics, and the ruthless internal jury that comes with mastery. She’s not romanticizing failure; she’s negotiating with fear. “Open” frames mistakes as something you allow into the room, not a verdict stamped on your talent. That’s an artist talking about process rather than persona.
Subtext: perfectionism is a cage, even (especially) for the icon who supposedly has nothing left to prove. In a culture that turns every slip into content and every misstep into a permanent screenshot, “not worrying about it so much” reads as resistance. It’s also a survival tactic. Long careers aren’t sustained by never falling off; they’re sustained by building a relationship with falling that doesn’t end in self-punishment.
Contextually, it’s an adult statement from a figure often frozen in eternal snarling youth. The rebel grows up and keeps the rebellion, just aimed inward: against shame, against over-control, against the idea that legitimacy requires flawless performance.
The phrasing matters. “Just a little bit” is a softener, the kind people use when they’ve spent decades being evaluated - by labels, crowds, critics, and the ruthless internal jury that comes with mastery. She’s not romanticizing failure; she’s negotiating with fear. “Open” frames mistakes as something you allow into the room, not a verdict stamped on your talent. That’s an artist talking about process rather than persona.
Subtext: perfectionism is a cage, even (especially) for the icon who supposedly has nothing left to prove. In a culture that turns every slip into content and every misstep into a permanent screenshot, “not worrying about it so much” reads as resistance. It’s also a survival tactic. Long careers aren’t sustained by never falling off; they’re sustained by building a relationship with falling that doesn’t end in self-punishment.
Contextually, it’s an adult statement from a figure often frozen in eternal snarling youth. The rebel grows up and keeps the rebellion, just aimed inward: against shame, against over-control, against the idea that legitimacy requires flawless performance.
Quote Details
| Topic | Learning from Mistakes |
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