"I'd like to work on putting art programs back in schools"
About this Quote
There’s something quietly radical in how modest Chaka Khan makes this sound. “I’d like to work on” is the language of coalition-building, not celebrity decree: a veteran artist signaling she understands the machinery of change is slow, public, and political. The target is specific, too. Not “support the arts,” not “save creativity,” but “putting art programs back in schools” - a restoration project, which implies a theft already occurred. That single word, “back,” carries the indictment: budgets got cut, priorities shifted, and kids paid the price.
Coming from a musician whose career sits at the intersection of craft and cultural history, the line has bite. Khan isn’t lobbying for arts as enrichment for the already comfortable; she’s pointing at the most democratic arts pipeline we have. School programs are where talent gets noticed before it’s marketable, where a kid without instruments at home can still touch one, where discipline gets taught without the gatekeeping of private lessons. The subtext is about access, not aesthetics.
It also lands in a familiar American moment: STEM evangelism, standardized testing, and austerity politics framing art as expendable. When a Black woman who helped define the sound of modern pop insists on arts education, she’s also defending cultural memory - the idea that future genres, voices, and innovations don’t appear out of nowhere; they’re cultivated. The intent isn’t nostalgia. It’s infrastructure.
Coming from a musician whose career sits at the intersection of craft and cultural history, the line has bite. Khan isn’t lobbying for arts as enrichment for the already comfortable; she’s pointing at the most democratic arts pipeline we have. School programs are where talent gets noticed before it’s marketable, where a kid without instruments at home can still touch one, where discipline gets taught without the gatekeeping of private lessons. The subtext is about access, not aesthetics.
It also lands in a familiar American moment: STEM evangelism, standardized testing, and austerity politics framing art as expendable. When a Black woman who helped define the sound of modern pop insists on arts education, she’s also defending cultural memory - the idea that future genres, voices, and innovations don’t appear out of nowhere; they’re cultivated. The intent isn’t nostalgia. It’s infrastructure.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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