"I'd love to see more women working as directors and producers"
About this Quote
It sounds like a soft wish, but coming from Ida Lupino it lands as a quiet provocation. Lupino wasn’t just an actress tossing out a feel-good line about representation; she was a working anomaly inside a studio system built to keep women visible on screen and invisible behind it. When she says she’d “love” to see more women directing and producing, the politeness is strategic. It’s the kind of phrasing a woman in mid-century Hollywood could safely use in public without being dismissed as “difficult” or threatening the men who controlled budgets, hiring, and distribution.
The subtext is sharper: women aren’t absent because they lack talent, they’re blocked by gatekeeping that treats authority as masculine. Lupino’s career makes that implication unavoidable. She moved into directing and producing not as a prestige hobby but as a survival tactic and a creative demand, tackling subjects the mainstream often dodged: sexual violence, unwed pregnancy, bigamy, addiction. That body of work turns the quote into something more like a challenge to the industry’s claim that “women’s stories” are niche while men’s perspectives are neutral.
There’s also a practical labor politics embedded here. “Directors and producers” names power, not just participation. Acting is a job that can be granted; producing and directing are positions you seize, often by building infrastructure and insisting on control. Lupino’s sentence is less a plea for inclusion than a blueprint for shifting who gets to decide what gets made.
The subtext is sharper: women aren’t absent because they lack talent, they’re blocked by gatekeeping that treats authority as masculine. Lupino’s career makes that implication unavoidable. She moved into directing and producing not as a prestige hobby but as a survival tactic and a creative demand, tackling subjects the mainstream often dodged: sexual violence, unwed pregnancy, bigamy, addiction. That body of work turns the quote into something more like a challenge to the industry’s claim that “women’s stories” are niche while men’s perspectives are neutral.
There’s also a practical labor politics embedded here. “Directors and producers” names power, not just participation. Acting is a job that can be granted; producing and directing are positions you seize, often by building infrastructure and insisting on control. Lupino’s sentence is less a plea for inclusion than a blueprint for shifting who gets to decide what gets made.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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