"I'd never just want to do what everybody else did. I'd be contributing to the sameness of everything"
About this Quote
Refusing “what everybody else did” isn’t just teenage contrarianism in Don Van Vliet’s mouth; it’s a survival tactic for an artist who built a whole mythology out of wrong angles. The line is blunt, almost plainspoken, but it hides a sophisticated aesthetic argument: originality isn’t a decorative choice, it’s a responsibility. If you follow the groove, you don’t merely disappear into the crowd - you actively thicken the cultural wallpaper.
Van Vliet (Captain Beefheart) came up in a late-60s music economy that fetishized “authenticity” while quickly mass-producing it. Blues revivalism, psychedelic sprawl, even rebellion itself had a house style. His work - especially the jagged, polyrhythmic provocation of Trout Mask Replica - treated that market logic as the enemy. “Sameness” here isn’t about popularity; it’s about the industrial tendency to sand down idiosyncrasy until it’s product-ready. The real sting is “I’d be contributing”: he frames conformity as complicity, not passivity. You don’t just lose your edge; you help dull the world’s.
There’s also a painter’s sensibility in the phrasing. Van Vliet later moved deeper into visual art, and the statement reads like a credo against imitation as an ethical failure of perception. To do what everyone else does is to see the way everyone else sees - and for an artist obsessed with new textures, new shapes, new noise, that’s the one unforgivable sin.
Van Vliet (Captain Beefheart) came up in a late-60s music economy that fetishized “authenticity” while quickly mass-producing it. Blues revivalism, psychedelic sprawl, even rebellion itself had a house style. His work - especially the jagged, polyrhythmic provocation of Trout Mask Replica - treated that market logic as the enemy. “Sameness” here isn’t about popularity; it’s about the industrial tendency to sand down idiosyncrasy until it’s product-ready. The real sting is “I’d be contributing”: he frames conformity as complicity, not passivity. You don’t just lose your edge; you help dull the world’s.
There’s also a painter’s sensibility in the phrasing. Van Vliet later moved deeper into visual art, and the statement reads like a credo against imitation as an ethical failure of perception. To do what everyone else does is to see the way everyone else sees - and for an artist obsessed with new textures, new shapes, new noise, that’s the one unforgivable sin.
Quote Details
| Topic | Deep |
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