"I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way"
About this Quote
There is nothing tortured or mystic in P. J. Harvey's origin story here, and that plainness is the point. She frames the impulse to make art as bodily instinct: read my stories, show my drawings. Not "express myself" in the abstract, not "find my voice" like a brand tagline. Just the blunt desire to put the work in front of other people and see what happens. "Purely natural" is a quietly radical phrase in a culture that treats creativity like either a miracle or a hustle.
The subtext is about permission. Harvey isn't asking whether art is a viable path; she's describing an early certainty that sidesteps the usual gatekeeping narrative of talent scouts, mentors, or lucky breaks. Even the wording keeps the focus on craft rather than identity. She doesn't say she knew she wanted to be an artist; she knew she wanted to go into the arts "in some way". That openness reads like a blueprint for the career she actually built: a musician who moves like a writer, a performer who thinks like a visual artist, someone whose albums often feel like self-contained worlds with their own weather systems.
Context matters, too: coming of age in late-80s/90s alternative culture, where authenticity was both prized and policed, Harvey’s insistence on "show[ing] that work" hints at ambition without apology. It’s not confession; it’s presentation. The line captures a working artist's engine: make, then share, then make again.
The subtext is about permission. Harvey isn't asking whether art is a viable path; she's describing an early certainty that sidesteps the usual gatekeeping narrative of talent scouts, mentors, or lucky breaks. Even the wording keeps the focus on craft rather than identity. She doesn't say she knew she wanted to be an artist; she knew she wanted to go into the arts "in some way". That openness reads like a blueprint for the career she actually built: a musician who moves like a writer, a performer who thinks like a visual artist, someone whose albums often feel like self-contained worlds with their own weather systems.
Context matters, too: coming of age in late-80s/90s alternative culture, where authenticity was both prized and policed, Harvey’s insistence on "show[ing] that work" hints at ambition without apology. It’s not confession; it’s presentation. The line captures a working artist's engine: make, then share, then make again.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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