"If I do a poetry reading I want people to walk out and say they feel better for having been there - not because you've done a comedy performance but because you're talking about your father dying or having young children, things that touch your soul"
About this Quote
McGough sketches a quiet manifesto for what a live poetry reading should do: deliver uplift without cheap laughs, consolation without pretending grief is tidy. The key move is his insistence on people leaving “feeling better” while the material might be a father dying or the vulnerability of raising young children. That apparent contradiction is the point. He’s arguing that catharsis, not comedy, is the engine of relief.
The subtext is a defense of seriousness in a culture that often demands performance value above emotional truth. McGough knows the modern room: audiences primed by stand-up cadence, spoken-word energy, the quick hit of relatability. He doesn’t reject humor as much as he refuses to let it be the main metric of success. “Not because you’ve done a comedy performance” reads like a gentle jab at the way poets can be pressured to act like entertainers to justify the ticket price.
Context matters: McGough came up in the Liverpool poets scene, where accessibility and wit were never enemies of depth. He’s always been a populist poet in the best sense - clear diction, everyday subjects, a belief that poems belong to public life. Here, he’s drawing a line between being liked and being felt. The “soul” language risks sentimentality, but he earns it by grounding it in specific, ordinary devastations: death, children, family. The reading becomes a temporary community of recognition, where the audience feels better not because the world got lighter, but because it got shared.
The subtext is a defense of seriousness in a culture that often demands performance value above emotional truth. McGough knows the modern room: audiences primed by stand-up cadence, spoken-word energy, the quick hit of relatability. He doesn’t reject humor as much as he refuses to let it be the main metric of success. “Not because you’ve done a comedy performance” reads like a gentle jab at the way poets can be pressured to act like entertainers to justify the ticket price.
Context matters: McGough came up in the Liverpool poets scene, where accessibility and wit were never enemies of depth. He’s always been a populist poet in the best sense - clear diction, everyday subjects, a belief that poems belong to public life. Here, he’s drawing a line between being liked and being felt. The “soul” language risks sentimentality, but he earns it by grounding it in specific, ordinary devastations: death, children, family. The reading becomes a temporary community of recognition, where the audience feels better not because the world got lighter, but because it got shared.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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