"If I get married, I think I'd pick out a newspaperman rather than a millionaire. A newspaperman is a regular fellow"
About this Quote
In the age of robber barons and splashy society weddings, Anna Held’s preference for a “newspaperman” over a millionaire lands like a sly wink from inside the fame machine. Held wasn’t just an entertainer; she was a celebrity product in the making, marketed hard and often romantically linked to Florenz Ziegfeld. So when she talks about marriage, she’s also talking about public appetite: what kind of partner makes a star seem approachable without dimming the spotlight?
The line works because it flatters two audiences at once. It reassures everyday readers that the glamorous woman onstage isn’t shopping for a vault; she’s shopping for character. At the same time, it elevates the press as a kind of masculine ideal: worldly, hardworking, in the know, and crucially, close to the pulse of the city. Calling him “a regular fellow” is the trick. It’s not really about regularity; it’s about credibility. A newspaperman stands in for grit and proximity to real life, the opposite of the millionaire’s remote, upholstered existence.
There’s also a self-protective subtext: the newspaperman is the person who can translate her into the daily story of America. He understands narratives, how reputations are built, how scandal is managed, how a public persona survives. Held’s quip is romantic, sure, but it’s also strategic: choose the man who controls the headlines, not the man who merely funds the party.
The line works because it flatters two audiences at once. It reassures everyday readers that the glamorous woman onstage isn’t shopping for a vault; she’s shopping for character. At the same time, it elevates the press as a kind of masculine ideal: worldly, hardworking, in the know, and crucially, close to the pulse of the city. Calling him “a regular fellow” is the trick. It’s not really about regularity; it’s about credibility. A newspaperman stands in for grit and proximity to real life, the opposite of the millionaire’s remote, upholstered existence.
There’s also a self-protective subtext: the newspaperman is the person who can translate her into the daily story of America. He understands narratives, how reputations are built, how scandal is managed, how a public persona survives. Held’s quip is romantic, sure, but it’s also strategic: choose the man who controls the headlines, not the man who merely funds the party.
Quote Details
| Topic | Marriage |
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