"If I have a style, I am not aware of it"
About this Quote
There is something deliciously cagey about an architect claiming stylistic innocence. Michael Graves built a career that, to most eyes, comes pre-labeled: the playful classicism, the cartoon-bright colors, the teapot on legs that turned “designer” into a household word. So “If I have a style, I am not aware of it” reads less like amnesia than a strategic dodge aimed at the profession’s favorite blood sport: tagging, dismissing, and filing architects under a single -ism.
The intent is to reclaim agency. If Graves admits to “a style,” he risks being reduced to the Postmodern guy - the one who put pediments back on the table after Modernism tried to clear it. By insisting he isn’t “aware” of it, he frames form as outcome rather than agenda: what happens when you solve problems, borrow from history, and try to make buildings legible to the public again.
The subtext is also defensive, because Graves knew exactly what critics accused him of: surface, spectacle, architecture as costume. His line flips that critique. Style, he implies, is what outsiders see when they’re not paying attention to the deeper logic - program, symbol, city, client, use. It’s a reminder that “style” can be a lazy substitute for describing actual decisions.
Context matters: Graves rose as Modernism’s moral certainty wore thin, and he helped make architecture popular culture. The quote performs a neat trick: it sounds humble while quietly insisting that the work is bigger than the brand people made of it.
The intent is to reclaim agency. If Graves admits to “a style,” he risks being reduced to the Postmodern guy - the one who put pediments back on the table after Modernism tried to clear it. By insisting he isn’t “aware” of it, he frames form as outcome rather than agenda: what happens when you solve problems, borrow from history, and try to make buildings legible to the public again.
The subtext is also defensive, because Graves knew exactly what critics accused him of: surface, spectacle, architecture as costume. His line flips that critique. Style, he implies, is what outsiders see when they’re not paying attention to the deeper logic - program, symbol, city, client, use. It’s a reminder that “style” can be a lazy substitute for describing actual decisions.
Context matters: Graves rose as Modernism’s moral certainty wore thin, and he helped make architecture popular culture. The quote performs a neat trick: it sounds humble while quietly insisting that the work is bigger than the brand people made of it.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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