"If I have resistance to something, it means there's something wrong. The resistance to me is a sign of fear"
About this Quote
Resistance, for Billy Corgan, isn’t a principled “no” so much as a diagnostic symptom: the body’s flinch when the mind is protecting a bruise. It’s a deceptively blunt formulation that fits an artist who’s spent a career arguing with genre boundaries, industry expectations, bandmates, critics, and, loudly, himself. The line turns inner friction into a kind of lie detector. If you’re resisting, you’re not encountering truth-you’re encountering fear dressed up as taste, morality, or practicality.
The intent isn’t self-help softness; it’s creative militancy. Corgan is describing a method for staying in motion: treat resistance as evidence that you’ve hit something live. Musicians who last aren’t just chasing inspiration; they’re interrogating discomfort. The subtext is also a warning about ego. “Something wrong” doesn’t mean the external object is flawed; it implies a misalignment inside the self, a place where identity is threatened. Resistance becomes an identity-protection reflex: the fear of looking foolish, of failing publicly, of changing and losing the version of yourself that people applaud.
Contextually, it lands in the late-20th/early-21st century artist’s dilemma: authenticity has become a brand, and deviation can be punished. For someone like Corgan, whose shifts in sound and persona have been met with both devotion and backlash, reframing resistance as fear is a way to strip heckling of its mystique and strip self-doubt of its authority. The quote works because it’s a dare: if it scares you, it might be the door.
The intent isn’t self-help softness; it’s creative militancy. Corgan is describing a method for staying in motion: treat resistance as evidence that you’ve hit something live. Musicians who last aren’t just chasing inspiration; they’re interrogating discomfort. The subtext is also a warning about ego. “Something wrong” doesn’t mean the external object is flawed; it implies a misalignment inside the self, a place where identity is threatened. Resistance becomes an identity-protection reflex: the fear of looking foolish, of failing publicly, of changing and losing the version of yourself that people applaud.
Contextually, it lands in the late-20th/early-21st century artist’s dilemma: authenticity has become a brand, and deviation can be punished. For someone like Corgan, whose shifts in sound and persona have been met with both devotion and backlash, reframing resistance as fear is a way to strip heckling of its mystique and strip self-doubt of its authority. The quote works because it’s a dare: if it scares you, it might be the door.
Quote Details
| Topic | Fear |
|---|---|
| Source | Help us find the source |
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