"If I love a song, I make it mine"
About this Quote
Ownership is a risky word in music, but Chaka Khan makes it sound like a responsibility. "If I love a song, I make it mine" isn’t about ego so much as alchemy: the moment when a composition stops being sheet music and becomes lived experience. She’s describing the performer’s real job, which isn’t faithful reproduction but believable possession. Love, in her framing, is the credential; if she feels it, she earns the right to remake it.
The subtext is a quiet argument against the museum mindset of pop and R&B, where classics are treated like fragile artifacts and covers are judged on how little they disturb the original. Khan’s career is a rebuttal. Whether she’s fronting Rufus or turning a Prince song into a strut you can’t unhear, she’s never sounded like she’s visiting someone else’s house. She moves in, rearranges the furniture, opens the windows, and suddenly the song’s emotional center shifts to match her voice: volcanic, precise, un-embarrassed.
Context matters because she came up in an era when Black women singers were often asked to be interchangeable vessels for material shaped elsewhere. "Make it mine" signals agency: interpretation as authorship. It also nods to a deeper truth about standards, sampling, and lineage in Black music: songs survive because they’re re-inhabited. Khan isn’t claiming legal ownership; she’s naming the cultural practice of taking what resonates and returning it louder, sharper, and unmistakably yours.
The subtext is a quiet argument against the museum mindset of pop and R&B, where classics are treated like fragile artifacts and covers are judged on how little they disturb the original. Khan’s career is a rebuttal. Whether she’s fronting Rufus or turning a Prince song into a strut you can’t unhear, she’s never sounded like she’s visiting someone else’s house. She moves in, rearranges the furniture, opens the windows, and suddenly the song’s emotional center shifts to match her voice: volcanic, precise, un-embarrassed.
Context matters because she came up in an era when Black women singers were often asked to be interchangeable vessels for material shaped elsewhere. "Make it mine" signals agency: interpretation as authorship. It also nods to a deeper truth about standards, sampling, and lineage in Black music: songs survive because they’re re-inhabited. Khan isn’t claiming legal ownership; she’s naming the cultural practice of taking what resonates and returning it louder, sharper, and unmistakably yours.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Khan, Chaka. (2026, January 17). If I love a song, I make it mine. FixQuotes. https://fixquotes.com/quotes/if-i-love-a-song-i-make-it-mine-48661/
Chicago Style
Khan, Chaka. "If I love a song, I make it mine." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/if-i-love-a-song-i-make-it-mine-48661/.
MLA Style (9th ed.)
"If I love a song, I make it mine." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/if-i-love-a-song-i-make-it-mine-48661/. Accessed 7 Feb. 2026.
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