"If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels"
About this Quote
Tarantino’s line lands like a compliment wrapped around a provocation: screenwriting, in his telling, is the job you do when you’re not quite ready to claim the higher-status badge of “writer.” It’s a deliberately loaded distinction, one that exposes how culture still ranks storytelling formats even while consuming most stories on screens. The jab works because it’s self-directed and self-mythmaking at once. He’s not dismissing craft; he’s naming the hierarchy that haunts it, then placing himself in a complicated position within that hierarchy.
The subtext is classic Tarantino: anxious bravado. He’s built an auteur brand on dialogue so stylized it practically begs to be read, yet he frames his primary medium as a compromise. That tension helps him hold two identities at once: blue-collar movie obsessive and high-art aspirant. By implying that novels are the “real” writer’s arena, he aligns with a romantic idea of literature as solitary, total control - no actors, no budgets, no studios, no notes. Screenwriting, by contrast, is inherently collaborative and contingent; the writer’s authority gets diluted the moment the set call sheet prints.
Context matters: Tarantino emerged in a film world that increasingly treats scripts as IP scaffolding, not literature. His movies fight that trend by making the screenplay feel foregrounded - talky, referential, structurally audacious. The quote is less a confession than a pressure tactic he applies to himself: a way to keep the legend of Tarantino restless, still proving he could, if he wanted, leave the circus and write the book.
The subtext is classic Tarantino: anxious bravado. He’s built an auteur brand on dialogue so stylized it practically begs to be read, yet he frames his primary medium as a compromise. That tension helps him hold two identities at once: blue-collar movie obsessive and high-art aspirant. By implying that novels are the “real” writer’s arena, he aligns with a romantic idea of literature as solitary, total control - no actors, no budgets, no studios, no notes. Screenwriting, by contrast, is inherently collaborative and contingent; the writer’s authority gets diluted the moment the set call sheet prints.
Context matters: Tarantino emerged in a film world that increasingly treats scripts as IP scaffolding, not literature. His movies fight that trend by making the screenplay feel foregrounded - talky, referential, structurally audacious. The quote is less a confession than a pressure tactic he applies to himself: a way to keep the legend of Tarantino restless, still proving he could, if he wanted, leave the circus and write the book.
Quote Details
| Topic | Writing |
|---|
More Quotes by Quentin
Add to List


