"If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper"
About this Quote
Desire, in Lynn Johnston's telling, isn’t romantic or glamorous - it’s a private craft project carried out under the threat of smoke. The quote captures a young cartoonist using drawing as both research and release: if she feels love, she makes a portrait; if she feels sexual curiosity, she sketches it anyway. Art isn’t decoration here, it’s a workaround for missing language. “There were no books for me to look at” lands as more than a detail about pre-internet adolescence. It’s a snapshot of a culture that offered girls silence where instruction should have been, shame where curiosity was normal.
The yearbook detail is perfect because it’s so mundane: a sanctioned archive of faces becomes contraband material once it’s repurposed for longing. Johnston quietly shows how institutions police content without ever touching the pencil. Even her father’s matches sit in the background like a household censor: no one has to catch her; she’s already internalized the punishment. Burning the paper is the last panel of the story, the self-edit that completes the cycle.
Coming from a cartoonist who built a career on domestic life and emotional honesty, this reads like an origin scene. It explains the particular charge of her later work: the insistence that ordinary life contains taboo material, and that drawing can smuggle truth past the gatekeepers - until the gatekeeper moves inside your own head.
The yearbook detail is perfect because it’s so mundane: a sanctioned archive of faces becomes contraband material once it’s repurposed for longing. Johnston quietly shows how institutions police content without ever touching the pencil. Even her father’s matches sit in the background like a household censor: no one has to catch her; she’s already internalized the punishment. Burning the paper is the last panel of the story, the self-edit that completes the cycle.
Coming from a cartoonist who built a career on domestic life and emotional honesty, this reads like an origin scene. It explains the particular charge of her later work: the insistence that ordinary life contains taboo material, and that drawing can smuggle truth past the gatekeepers - until the gatekeeper moves inside your own head.
Quote Details
| Topic | Art |
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