"If I'm interested in what I'm doing, other people will be interested in it"
About this Quote
John Cale’s line is the anti-marketing mantra you’d expect from someone who helped invent the template for art-rock abrasion and then kept slipping out of every box built around him. “If I’m interested…” puts the center of gravity where pop culture usually refuses to: on the maker’s curiosity, not the audience’s appetite. It’s a quiet rebuke to the industry logic that treats listeners as a focus group to be satisfied, and artists as brands to be optimized.
The subtext is bolder than the sentence looks. Cale isn’t promising mass appeal; he’s betting on attention as a kind of integrity. Interest, here, isn’t a mood. It’s a discipline: the willingness to follow an idea far enough that it develops texture, risk, and specificity. That specificity is the real hook. People don’t reliably respond to polish; they respond to the feeling that someone is genuinely chasing something, even if it’s strange, even if it’s uncomfortable. Cale’s career - from the Velvet Underground’s controlled noise to his solo work that swerves between classical rigor and jagged songwriting - is basically an argument that commitment reads as charisma.
Context matters: this is a musician who lived through scenes where “authenticity” could curdle into pose. His workaround is practical, not pious. Be interested first; let the audience arrive as a consequence, not a target. It’s less a romantic belief in the crowd than a filter against self-censorship. If you’re bored making it, why should anyone care hearing it?
The subtext is bolder than the sentence looks. Cale isn’t promising mass appeal; he’s betting on attention as a kind of integrity. Interest, here, isn’t a mood. It’s a discipline: the willingness to follow an idea far enough that it develops texture, risk, and specificity. That specificity is the real hook. People don’t reliably respond to polish; they respond to the feeling that someone is genuinely chasing something, even if it’s strange, even if it’s uncomfortable. Cale’s career - from the Velvet Underground’s controlled noise to his solo work that swerves between classical rigor and jagged songwriting - is basically an argument that commitment reads as charisma.
Context matters: this is a musician who lived through scenes where “authenticity” could curdle into pose. His workaround is practical, not pious. Be interested first; let the audience arrive as a consequence, not a target. It’s less a romantic belief in the crowd than a filter against self-censorship. If you’re bored making it, why should anyone care hearing it?
Quote Details
| Topic | Motivational |
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