"If I'm walking very, very fast down Madison Avenue in the middle of the day, I'll say I'm stopped 10 times"
About this Quote
Kristin Davis drops this line like a tossed-off complaint, but it’s really a compressed portrait of celebrity as an always-on public job. The specificity does the heavy lifting: “walking very, very fast,” “Madison Avenue,” “in the middle of the day.” She’s not describing a red-carpet scrum; she’s describing the most banal, efficient version of city life - the purposeful stride, the Midtown errand run - and showing how fame converts even that into a series of interruptions. The exaggeration (“stopped 10 times”) isn’t just punchy; it’s a way to make the invisible labor legible. Being recognizable means your time isn’t fully yours, even when you’re trying to move like everyone else.
Madison Avenue is also a savvy setting. It’s a street associated with money, status, and visibility; being “stopped” there reads less like harassment and more like a cultural transaction. Fans feel entitled to a moment, a photo, a proof-of-contact, and Davis frames it as relentless friction rather than flattering attention. The subtext is that the performance doesn’t end when the cameras do. She’s “Kristin Davis” first, person second, and the city becomes a corridor of micro-demands.
There’s an implied Sex and the City afterglow here, too: the show turned Manhattan into a lifestyle brand, and Davis into a walking symbol of it. Her speed is almost a defense mechanism; the fact that it fails is the point.
Madison Avenue is also a savvy setting. It’s a street associated with money, status, and visibility; being “stopped” there reads less like harassment and more like a cultural transaction. Fans feel entitled to a moment, a photo, a proof-of-contact, and Davis frames it as relentless friction rather than flattering attention. The subtext is that the performance doesn’t end when the cameras do. She’s “Kristin Davis” first, person second, and the city becomes a corridor of micro-demands.
There’s an implied Sex and the City afterglow here, too: the show turned Manhattan into a lifestyle brand, and Davis into a walking symbol of it. Her speed is almost a defense mechanism; the fact that it fails is the point.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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