"If it was necessary to tolerate in other people everything that one permits oneself, life would be unbearable"
About this Quote
Courteline’s line is a petty little bomb lobbed into the living room of respectability. On its face, it sounds like a plea for mercy: don’t hold others to the same permissive standard you grant yourself. But the real target is the opposite instinct, the one that keeps society running on quiet hypocrisy. We survive, he suggests, by maintaining a double ledger: our own lapses get footnotes, everyone else’s become headlines. If we had to extend our private justifications outward, we’d be forced to live among a crowd of people as indulgently complicated as we are, and that intimacy with human inconsistency would feel like punishment.
The joke is how it flips “tolerance” into an affliction. Modern moral talk treats tolerance as a virtue you heroically supply to others; Courteline treats it as a logistical nightmare. That’s classic dramatist cynicism: character is less an ethical achievement than a set of excuses arranged to keep daily life moving. His theater lived in the era’s machinery of bourgeois order, where manners, bureaucracy, and marital propriety were costumes everyone wore while cheating on the script backstage.
Subtextually, it’s also a jab at self-knowledge. We can “permit” ourselves plenty because we narrate our motives, our stress, our context. Other people don’t come with voice-over; they arrive as raw behavior. Courteline isn’t advising compassion so much as exposing why compassion is hard: it requires giving strangers the same inner alibis we manufacture effortlessly for ourselves.
The joke is how it flips “tolerance” into an affliction. Modern moral talk treats tolerance as a virtue you heroically supply to others; Courteline treats it as a logistical nightmare. That’s classic dramatist cynicism: character is less an ethical achievement than a set of excuses arranged to keep daily life moving. His theater lived in the era’s machinery of bourgeois order, where manners, bureaucracy, and marital propriety were costumes everyone wore while cheating on the script backstage.
Subtextually, it’s also a jab at self-knowledge. We can “permit” ourselves plenty because we narrate our motives, our stress, our context. Other people don’t come with voice-over; they arrive as raw behavior. Courteline isn’t advising compassion so much as exposing why compassion is hard: it requires giving strangers the same inner alibis we manufacture effortlessly for ourselves.
Quote Details
| Topic | Ethics & Morality |
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