"If Jesus came back today, and saw what was going on in his name, he'd never stop throwing up"
About this Quote
It lands like a gut punch because it drags religion down from stained glass to stomach acid. Max von Sydow isn’t offering a tidy critique of Christianity; he’s staging a visceral thought experiment: imagine the moral founder confronted with the brand that’s been built on his name. The blunt bodily image does two things at once. It bypasses theological debate (no need to litigate doctrine) and goes straight to moral revulsion. “Throwing up” is an accusation you can feel in your throat.
The specific intent is to shame a certain kind of public religiosity: faith used as cover for cruelty, power, money, or culture-war spectacle. The line implies that the gap between the Jesus of compassion and the institutions and movements claiming him has become so wide it’s not just disappointing, it’s nauseating. It’s also a clever inversion of reverence. Instead of humanity kneeling before Christ, Christ is rendered helpless before humanity’s pieties and hypocrisies.
As an actor, von Sydow is speaking in character even when he’s not: he makes Jesus a witness, not an abstraction. That’s the subtextual trick. Rather than arguing about whether modern believers are “true Christians,” he imagines the ultimate authority reacting instinctively. The hyperbole (“never stop”) is moral theater, a way to say the problem isn’t isolated scandals; it’s systemic misuse.
Culturally, the quote fits an era when “in his name” has been attached to everything from political domination to abuse cover-ups to consumerist spirituality. It’s less anti-faith than anti-branding: a demand that people stop confusing power with holiness.
The specific intent is to shame a certain kind of public religiosity: faith used as cover for cruelty, power, money, or culture-war spectacle. The line implies that the gap between the Jesus of compassion and the institutions and movements claiming him has become so wide it’s not just disappointing, it’s nauseating. It’s also a clever inversion of reverence. Instead of humanity kneeling before Christ, Christ is rendered helpless before humanity’s pieties and hypocrisies.
As an actor, von Sydow is speaking in character even when he’s not: he makes Jesus a witness, not an abstraction. That’s the subtextual trick. Rather than arguing about whether modern believers are “true Christians,” he imagines the ultimate authority reacting instinctively. The hyperbole (“never stop”) is moral theater, a way to say the problem isn’t isolated scandals; it’s systemic misuse.
Culturally, the quote fits an era when “in his name” has been attached to everything from political domination to abuse cover-ups to consumerist spirituality. It’s less anti-faith than anti-branding: a demand that people stop confusing power with holiness.
Quote Details
| Topic | God |
|---|---|
| Source | Later attribution: Ingmar Bergman (Max von Sydow) modern compilation
Evidence:
his dreams mixing up dream and reality while hes involved in this strange shadowy wrestling match with godwe w |
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