"If moderation is a fault, then indifference is a crime"
About this Quote
Kerouac flips the moral scale with a little street-preacher swagger: moderation might be a "fault", but indifference is a "crime". The line isn’t really defending temperance; it’s taking a swing at the pose of cool detachment that mid-century America was getting good at perfecting. In Kerouac’s universe, where the self is a live wire and experience is a kind of holy pursuit, the worst sin isn’t excess. It’s opting out.
The phrasing matters. "Fault" is almost domestic, a minor character flaw you might confess and move on from. "Crime" drags you into public consequence. Kerouac is smuggling in a demand: feel something, choose something, commit yourself to the mess. Even if moderation looks like a failure of nerve, he’s saying it’s still a form of engagement, a way of being in the world with your eyes open. Indifference, by contrast, is not neutrality; it’s complicity disguised as sophistication.
Context helps sharpen the edge. Writing in the postwar era, Kerouac watched conformity harden into a lifestyle: corporate routines, suburban insulation, politics outsourced to institutions, the soul kept safely noncommittal. Beat literature wasn’t just about movement and speed; it was about refusing the anesthesia. This line reads like a rebuke to the spectator culture before we had a word for it: don’t confuse being unbothered with being wise. Kerouac’s romanticism can be messy, but here it’s morally lucid. He’s insisting that the world doesn’t just need your opinions; it needs your participation.
The phrasing matters. "Fault" is almost domestic, a minor character flaw you might confess and move on from. "Crime" drags you into public consequence. Kerouac is smuggling in a demand: feel something, choose something, commit yourself to the mess. Even if moderation looks like a failure of nerve, he’s saying it’s still a form of engagement, a way of being in the world with your eyes open. Indifference, by contrast, is not neutrality; it’s complicity disguised as sophistication.
Context helps sharpen the edge. Writing in the postwar era, Kerouac watched conformity harden into a lifestyle: corporate routines, suburban insulation, politics outsourced to institutions, the soul kept safely noncommittal. Beat literature wasn’t just about movement and speed; it was about refusing the anesthesia. This line reads like a rebuke to the spectator culture before we had a word for it: don’t confuse being unbothered with being wise. Kerouac’s romanticism can be messy, but here it’s morally lucid. He’s insisting that the world doesn’t just need your opinions; it needs your participation.
Quote Details
| Topic | Ethics & Morality |
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