"If my father's business hadn't gone broke, I'd be exporting nuts, bolts and sugar machinery right now. What an awful thought!"
About this Quote
The joke lands because it treats a perfectly respectable life as a near-death experience. Romero frames his father’s bankruptcy not as hardship but as a bizarre stroke of luck that rescued him from a destiny in “nuts, bolts and sugar machinery.” The punchline - “What an awful thought!” - is pure performer’s timing: he lets the mundane specificity do the work, then snaps the trap shut with mock horror. It’s less about hating commerce than about dramatizing how contingent a public life really is.
Romero, a Cuban-American actor who rose through Hollywood’s studio era, is winking at the mythology of “making it.” Success stories usually sand down the messy parts into grit-and-triumph. He flips it: the formative family failure becomes an accidental escape hatch into glamour. That inversion carries a quiet class subtext too. Exporting industrial goods suggests stability, respectability, and a kind of immigrant-adjacent pragmatism; acting suggests risk, reinvention, and selling charisma as labor. He’s acknowledging that his fame rests on a random economic collapse - and he’s choosing to laugh rather than sanctify it.
The line also reads as image maintenance. Romero’s persona traded on elegance and ease; admitting that his life could have been spreadsheets and shipping manifests punctures the fantasy just enough to feel authentic, then patches it with humor. The specificity of “nuts, bolts and sugar machinery” keeps the bit grounded, while the exaggerated dread signals: don’t worry, I know how absurd this all sounds.
Romero, a Cuban-American actor who rose through Hollywood’s studio era, is winking at the mythology of “making it.” Success stories usually sand down the messy parts into grit-and-triumph. He flips it: the formative family failure becomes an accidental escape hatch into glamour. That inversion carries a quiet class subtext too. Exporting industrial goods suggests stability, respectability, and a kind of immigrant-adjacent pragmatism; acting suggests risk, reinvention, and selling charisma as labor. He’s acknowledging that his fame rests on a random economic collapse - and he’s choosing to laugh rather than sanctify it.
The line also reads as image maintenance. Romero’s persona traded on elegance and ease; admitting that his life could have been spreadsheets and shipping manifests punctures the fantasy just enough to feel authentic, then patches it with humor. The specificity of “nuts, bolts and sugar machinery” keeps the bit grounded, while the exaggerated dread signals: don’t worry, I know how absurd this all sounds.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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