"If my poetry aims to achieve anything, it's to deliver people from the limited ways in which they see and feel"
About this Quote
Morrison frames poetry less as self-expression than as a jailbreak. The key word is "deliver": not entertain, not impress, not confess, but extract. It’s a preacher’s verb smuggled into an artist’s mission statement, and it gives his project a messianic charge without fully owning the sermon. That ambiguity is the subtext: Morrison wants transcendence, but he wants it to feel like liberation, not instruction.
The target isn’t ignorance; it’s limitation - the cramped habit of perception. "The limited ways" suggests that ordinary life trains us into narrow grooves of feeling, a culturally enforced smallness. In the late 1960s, that idea landed in a very specific climate: psychedelic experimentation, antiwar disillusionment, and a youth culture hunting for doors out of straight reality. Morrison wasn’t just writing lyrics; he was staging experiences, using repetition, myth, and erotic provocation as tools to loosen the bolts on polite consciousness.
There’s also a subtle power play. To "deliver people" implies someone doing the delivering, and Morrison casts the poet as both guide and catalyst. It’s a charismatic posture that matches his onstage persona: shaman, outlaw, sometimes martyr. The line works because it flatters the audience while challenging them. You’re not broken, he implies, you’re constrained - and his art offers not answers but expanded bandwidth, permission to feel more, see stranger, and step outside the accepted script.
The target isn’t ignorance; it’s limitation - the cramped habit of perception. "The limited ways" suggests that ordinary life trains us into narrow grooves of feeling, a culturally enforced smallness. In the late 1960s, that idea landed in a very specific climate: psychedelic experimentation, antiwar disillusionment, and a youth culture hunting for doors out of straight reality. Morrison wasn’t just writing lyrics; he was staging experiences, using repetition, myth, and erotic provocation as tools to loosen the bolts on polite consciousness.
There’s also a subtle power play. To "deliver people" implies someone doing the delivering, and Morrison casts the poet as both guide and catalyst. It’s a charismatic posture that matches his onstage persona: shaman, outlaw, sometimes martyr. The line works because it flatters the audience while challenging them. You’re not broken, he implies, you’re constrained - and his art offers not answers but expanded bandwidth, permission to feel more, see stranger, and step outside the accepted script.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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