"If the skies fall, one may hope to catch larks"
About this Quote
Apocalypse, Rabelais shrugs, might at least improve the menu. "If the skies fall, one may hope to catch larks" is a grim joke dressed as rustic wisdom: if disaster is unavoidable, extract a small, ridiculous profit from it. The line works because it refuses the pious reflex to make catastrophe morally improving. Instead it makes calamity practical, almost culinary. That low, bodily payoff is pure Rabelais: the world is always ending in someone else's sermon, so you might as well look for dinner.
The subtext is a kind of anti-panic philosophy. "The skies fall" is the oldest image of total collapse, the big cosmic excuse to freeze. Rabelais snaps the scale back down to earth with larks, tiny birds you could actually hold. It’s a comedic deflation of fear: he converts metaphysical dread into opportunism you can picture. The humor isn’t merely consoling; it’s corrective. Grand narratives of doom are often a way to control people, to demand obedience, to turn anxiety into virtue. By treating the end-times as a chance to hunt, he punctures that authority.
Context matters: Rabelais was a cleric and humanist writing in a Europe saturated with plague, war, and eschatological obsession, where religious institutions policed bodies and appetites. His comedy consistently sides with appetite, curiosity, and the messy everyday against sanctimonious austerity. This line isn’t optimism; it’s a refusal to be spiritually blackmailed by catastrophe. If the ceiling really does come down, he implies, at least don’t let it go to waste.
The subtext is a kind of anti-panic philosophy. "The skies fall" is the oldest image of total collapse, the big cosmic excuse to freeze. Rabelais snaps the scale back down to earth with larks, tiny birds you could actually hold. It’s a comedic deflation of fear: he converts metaphysical dread into opportunism you can picture. The humor isn’t merely consoling; it’s corrective. Grand narratives of doom are often a way to control people, to demand obedience, to turn anxiety into virtue. By treating the end-times as a chance to hunt, he punctures that authority.
Context matters: Rabelais was a cleric and humanist writing in a Europe saturated with plague, war, and eschatological obsession, where religious institutions policed bodies and appetites. His comedy consistently sides with appetite, curiosity, and the messy everyday against sanctimonious austerity. This line isn’t optimism; it’s a refusal to be spiritually blackmailed by catastrophe. If the ceiling really does come down, he implies, at least don’t let it go to waste.
Quote Details
| Topic | Hope |
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