"If there are bases on the moon, that would be the end of the moon as we know it"
About this Quote
“If there are bases on the moon” lands like sci-fi logistics, but Anderson’s punchline is really about a cultural heartbreak: the moment you build infrastructure on a symbol, you don’t just change the place, you change what it’s for. The moon, in her world, isn’t “real estate.” It’s a shared screen for projection - romance, solitude, madness, calendars, werewolves, lullabies, the whole long archive of human yearning. A base would turn that luminous ambiguity into a worksite.
Anderson’s intent is less anti-technology than anti-inevitability. She’s needling the way progress rhetoric treats desecration as neutral. “As we know it” is doing heavy lifting: she’s not predicting the moon’s physical destruction so much as naming the collapse of a relationship. Once the moon becomes a node in a supply chain, it stops being a distance you can look at; it becomes a destination with schedules, rules, and ownership. The enchantment doesn’t survive a payroll.
Context matters: Anderson comes out of the late-20th-century art world where media, surveillance, and militarized innovation blur together, and where the space race already proved that “exploration” often arrives wearing a flag. Her line anticipates today’s commercial space boom and its blandly corporate language. It’s funny, but the humor is defensive: a way to admit we’re about to do something irreversible, then pretend it’s just another upgrade.
Anderson’s intent is less anti-technology than anti-inevitability. She’s needling the way progress rhetoric treats desecration as neutral. “As we know it” is doing heavy lifting: she’s not predicting the moon’s physical destruction so much as naming the collapse of a relationship. Once the moon becomes a node in a supply chain, it stops being a distance you can look at; it becomes a destination with schedules, rules, and ownership. The enchantment doesn’t survive a payroll.
Context matters: Anderson comes out of the late-20th-century art world where media, surveillance, and militarized innovation blur together, and where the space race already proved that “exploration” often arrives wearing a flag. Her line anticipates today’s commercial space boom and its blandly corporate language. It’s funny, but the humor is defensive: a way to admit we’re about to do something irreversible, then pretend it’s just another upgrade.
Quote Details
| Topic | Science |
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