"If there are similarities, it's simply because the same thoughts that occurred to other people also occurred to me. I'd be astonished if anyone could come up with any truly original powers that were at all interesting any more"
About this Quote
Brad Bird is puncturing the superhero-industrial fantasy that originality is a rare superpower you either possess or you don’t. His first move is disarming: if my ideas resemble yours, that’s not theft, it’s the mundane reality of shared brains living in the same cultural weather. It’s a sly rebuttal to the anxious hobbyhorse of fan and creator culture alike: the obsession with calling dibs on concepts, as if creativity were real estate.
The second sentence tightens the screw. Bird doesn’t just doubt “truly original powers”; he doubts they’d be “interesting” anymore. That’s a sharp cultural read from someone who helped redefine modern animation by making genre feel human rather than novel. After decades of capes, reboots, and encyclopedic power-sets, the marginal utility of a never-before-seen ability is close to zero. What still lands is execution: character, limitation, consequence, and the way a power exposes personality under stress.
There’s also a quiet defense of craft. Bird is reframing “originality” as less about inventing an unheard-of gimmick and more about choosing which familiar pieces to emphasize and how to stage them. The subtext says: stop policing overlap and start judging intent. In an era where audiences can instantly surface “similarities” with a screenshot and a thread, Bird’s stance reads like a plea for maturity: ideas repeat; meaning doesn’t have to.
The second sentence tightens the screw. Bird doesn’t just doubt “truly original powers”; he doubts they’d be “interesting” anymore. That’s a sharp cultural read from someone who helped redefine modern animation by making genre feel human rather than novel. After decades of capes, reboots, and encyclopedic power-sets, the marginal utility of a never-before-seen ability is close to zero. What still lands is execution: character, limitation, consequence, and the way a power exposes personality under stress.
There’s also a quiet defense of craft. Bird is reframing “originality” as less about inventing an unheard-of gimmick and more about choosing which familiar pieces to emphasize and how to stage them. The subtext says: stop policing overlap and start judging intent. In an era where audiences can instantly surface “similarities” with a screenshot and a thread, Bird’s stance reads like a plea for maturity: ideas repeat; meaning doesn’t have to.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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