"If there was any other place I would live, other than Miami, it would be California. It's beautiful. The weather is just gorgeous, I love being here, too"

Jon Secada balances devotion to Miami with an affectionate nod to California, revealing how identity can be rooted yet expansive. The conditional phrasing signals Miami as his anchor, home in the deepest sense, while California emerges as the lone exception, a place whose allure is strong enough to tempt a second belonging. He doesn’t weigh museums, restaurants, or career opportunities; he goes straight to beauty and weather. That simplicity is telling. Climate becomes shorthand for a way of life: sunlight, outdoor rhythms, an ease that fosters well-being and creativity.

Both Miami and California are coastal gateways, multicultural and kinetic, their skies and shorelines inviting a similar kind of openness. It makes sense he would feel at home in both. The pull of the ocean, the oxygen of light, and the daily balm of warmth shape mood and routine as tangibly as any professional advantage. For an artist, those elements are not trivial; they’re part of the creative ecology, the ambient support that steadies the voice and pace of work.

“I love being here, too” adds immediacy and generosity. It suggests presence, perhaps he’s on tour or visiting, and a capacity to be fully where he stands without betraying where he’s from. Affection is not zero-sum. You can carry Miami in your heart and still savor California’s horizon. The statement also hints at gratitude: rather than ranking cities, he celebrates the abundance of having more than one place that feels right.

Underneath is a quiet philosophy of belonging grounded in sensory experience. Beauty and weather are not superficial; they’re the scaffolding for daily life, shaping how we move, gather, and dream. Miami remains the magnetic north, but California offers a parallel latitude of light. Together they draw a map of home that is both specific and wide-armed, defined by warmth, water, and the freedom to thrive.