"If they try to rush me, I always say, I've only got one other speed and it's slower"
About this Quote
It’s a perfect piece of Hollywood anti-glamour: a movie star admitting, with a wink, that he’s not built for hurry. Glenn Ford’s line works because it turns a common power move - “speed up” - into a dead-end. The threat isn’t anger or refusal; it’s inevitability. Push me, and I will become less efficient on principle. In one sentence, he reframes time pressure as the other person’s problem.
As an actor, Ford traded in control of tempo. Screen charisma often lives in pacing: the beat before a response, the unhurried walk, the sense that a man occupies space without apologizing for it. The joke lands because it’s also a technique. By claiming only two gears and making the faster one unavailable, he’s advertising a boundary while keeping it charming. No scold, no lecture - just a punchline that flatters him as unflappable and quietly dangerous to deadlines.
The subtext is mid-century masculinity at work: competence without fuss, authority without volume. Ford’s career straddled Westerns, noir, and leading-man romanticism - genres where the protagonist’s steadiness is a moral stance. This quip reads like an off-camera extension of that persona, a way to protect the calm center that audiences paid for. It’s not laziness; it’s self-mythmaking, the kind that says: I don’t chase the moment. The moment catches up to me.
As an actor, Ford traded in control of tempo. Screen charisma often lives in pacing: the beat before a response, the unhurried walk, the sense that a man occupies space without apologizing for it. The joke lands because it’s also a technique. By claiming only two gears and making the faster one unavailable, he’s advertising a boundary while keeping it charming. No scold, no lecture - just a punchline that flatters him as unflappable and quietly dangerous to deadlines.
The subtext is mid-century masculinity at work: competence without fuss, authority without volume. Ford’s career straddled Westerns, noir, and leading-man romanticism - genres where the protagonist’s steadiness is a moral stance. This quip reads like an off-camera extension of that persona, a way to protect the calm center that audiences paid for. It’s not laziness; it’s self-mythmaking, the kind that says: I don’t chase the moment. The moment catches up to me.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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