"If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out"
About this Quote
A weirdly honest snapshot of fame when the shine has worn off and the math is all that’s left. Dustin Diamond isn’t fantasizing about Grammys or stadiums; he’s fantasizing about stability. “100,000 units” is a modest number by pop-star mythology, but in the working-artist economy it’s a golden ticket: enough scale to matter, not enough to trigger the machinery that chews people up. He frames success as logistics - a “built-in fanbase,” the ability to “pretty much play anywhere” - because that’s the real privilege: choice. Not being at the mercy of gatekeepers, trends, or whatever version of your past the public demands.
The subtext is about escaping the trap of being known without being supported. Diamond’s celebrity was loud, but fame from acting doesn’t automatically translate into the durable, pay-to-keep-going relationship musicians live on. He’s describing the dream of becoming a self-sustaining niche: a cult following that functions like infrastructure. The repetition of “rock” and “rock out” reads less like bravado than like someone insisting on joy as a business model - not glamour, not prestige, just a room of people who reliably show up.
In the broader cultural context, it’s late-90s/2000s DIY realism before “creator economy” became a buzzword. Diamond is basically sketching the middle-class fantasy of entertainment: not dominating the world, just building a corner of it where you can keep performing and not disappear.
The subtext is about escaping the trap of being known without being supported. Diamond’s celebrity was loud, but fame from acting doesn’t automatically translate into the durable, pay-to-keep-going relationship musicians live on. He’s describing the dream of becoming a self-sustaining niche: a cult following that functions like infrastructure. The repetition of “rock” and “rock out” reads less like bravado than like someone insisting on joy as a business model - not glamour, not prestige, just a room of people who reliably show up.
In the broader cultural context, it’s late-90s/2000s DIY realism before “creator economy” became a buzzword. Diamond is basically sketching the middle-class fantasy of entertainment: not dominating the world, just building a corner of it where you can keep performing and not disappear.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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