"If we know we're just going to have sex and then ditch the guy, it can be fun"
About this Quote
There is a startling candor in Perry's line, the kind that sounds like a guilty confession until you notice the grin behind it. "If we know" is doing heavy lifting: it frames the act as a collective, pre-negotiated agreement rather than a private lapse in judgment. The point isn't sex-as-shock; it's consent-as-clarity. By placing the "ditch" upfront, she refuses the culturally familiar script where women are expected to pretend intimacy is always a stepping-stone to commitment. The provocation is strategic: she makes the least flattering part of the scenario the premise, then insists it can still be "fun."
The subtext is a corrective to a specific double standard. When men talk casually about no-strings sex, it's often coded as confidence or freedom. When a woman says the same thing, she's expected to supply an apology, a tragic backstory, or at least a blush. Perry declines all three. The breeziness of "it can be fun" is almost a dare, stripping away the moral panic and replacing it with something more ordinary: people sometimes want pleasure without a plot.
Context matters here: celebrity confessional culture rewards oversharing, but it also polices female desire. Perry threads that needle by sounding blunt while actually arguing for transparency. Read generously, it's not a celebration of cruelty; it's a defense of honesty about intentions. Read less generously, "ditch" flirts with callousness. Either way, the line works because it weaponizes taboo to reclaim agency, making discomfort the price of admission for a more adult conversation about sex.
The subtext is a corrective to a specific double standard. When men talk casually about no-strings sex, it's often coded as confidence or freedom. When a woman says the same thing, she's expected to supply an apology, a tragic backstory, or at least a blush. Perry declines all three. The breeziness of "it can be fun" is almost a dare, stripping away the moral panic and replacing it with something more ordinary: people sometimes want pleasure without a plot.
Context matters here: celebrity confessional culture rewards oversharing, but it also polices female desire. Perry threads that needle by sounding blunt while actually arguing for transparency. Read generously, it's not a celebration of cruelty; it's a defense of honesty about intentions. Read less generously, "ditch" flirts with callousness. Either way, the line works because it weaponizes taboo to reclaim agency, making discomfort the price of admission for a more adult conversation about sex.
Quote Details
| Topic | Sarcastic |
|---|---|
| Source | Help us find the source |
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