"If you lived in a provincial town like Torre Annunziata, where there was nothing to do in the evening but go to the movies with your friends, the cinema was a world of fantasy. I had always been in love with it"
About this Quote
De Laurentiis turns boredom into origin myth, and he does it with the bluntness of someone who understood entertainment as both escape and infrastructure. The line starts in a place: Torre Annunziata, a provincial town whose name carries the implied sting of being off the map. "Nothing to do" isn’t just teenage complaint; it’s a socioeconomic description of mid-century Italy, where leisure options were limited and horizons were local. In that vacuum, the movies become more than pastime. They’re a portal, a social ritual, and a syllabus in ambition.
The key move is how casually he frames cinema as "a world of fantasy" - not as a lie, but as an alternative jurisdiction with its own laws. He’s describing the formative power of mass culture when it meets scarcity: when real life is small, spectacle doesn’t merely entertain, it reorganizes desire. Going "with your friends" matters too. This isn’t solitary cinephilia; it’s communal dreaming, a rehearsal for the public nature of filmmaking itself. The theater is the first studio: a room where strangers synchronize their attention and learn what collective emotion feels like.
"I had always been in love with it" lands like a confession and a thesis statement. Love, here, is not delicate; it’s durable, acquisitive, and practical. De Laurentiis would go on to engineer big, exportable fantasies. This quote hints at the psychological engine behind that career: fantasy as a way out, then fantasy as a business, then fantasy as a kind of homeland you can build when the one you’re born into feels too tight.
The key move is how casually he frames cinema as "a world of fantasy" - not as a lie, but as an alternative jurisdiction with its own laws. He’s describing the formative power of mass culture when it meets scarcity: when real life is small, spectacle doesn’t merely entertain, it reorganizes desire. Going "with your friends" matters too. This isn’t solitary cinephilia; it’s communal dreaming, a rehearsal for the public nature of filmmaking itself. The theater is the first studio: a room where strangers synchronize their attention and learn what collective emotion feels like.
"I had always been in love with it" lands like a confession and a thesis statement. Love, here, is not delicate; it’s durable, acquisitive, and practical. De Laurentiis would go on to engineer big, exportable fantasies. This quote hints at the psychological engine behind that career: fantasy as a way out, then fantasy as a business, then fantasy as a kind of homeland you can build when the one you’re born into feels too tight.
Quote Details
| Topic | Movie |
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