"If you marry the wrong person for the wrong reasons, then no matter how hard you work, it's never going to work, because then you have to completely change yourself, completely change them, completely - by that time, you're both dead"
About this Quote
Bancroft turns the romance plot inside out: the problem isn’t effort, it’s misalignment so deep that “work” becomes a slow-motion demolition of two people. The line snaps because it refuses the feel-good gospel that commitment can redeem anything. In her telling, hard work is not noble; it’s a trap when it’s spent trying to retrofit a life onto a bad foundation.
The repetition is doing the heavy lifting. “Completely change yourself, completely change them” lands like an escalating bill you can’t pay. It’s not just that the relationship is difficult; it’s that the only path to “making it work” requires total renovation of identity. Bancroft frames that as violence disguised as devotion: self-erasure sold as maturity, control dressed up as compromise.
Then comes the dark punchline: “by that time, you’re both dead.” Not literal, but existential. She’s talking about the death of spontaneity, of the person you were before you started auditioning for your own marriage. As an actress, Bancroft knew performance intimately, and the subtext here is about the cost of living in a role written by fear, status, loneliness, or timing - the “wrong reasons” people rarely admit.
Culturally, it’s an adult counter-myth to both the fairy tale and the grit narrative. Some problems don’t yield to perseverance; they yield to honesty and exit. Bancroft’s sting is a warning: choose wrong, and effort becomes the instrument of your undoing.
The repetition is doing the heavy lifting. “Completely change yourself, completely change them” lands like an escalating bill you can’t pay. It’s not just that the relationship is difficult; it’s that the only path to “making it work” requires total renovation of identity. Bancroft frames that as violence disguised as devotion: self-erasure sold as maturity, control dressed up as compromise.
Then comes the dark punchline: “by that time, you’re both dead.” Not literal, but existential. She’s talking about the death of spontaneity, of the person you were before you started auditioning for your own marriage. As an actress, Bancroft knew performance intimately, and the subtext here is about the cost of living in a role written by fear, status, loneliness, or timing - the “wrong reasons” people rarely admit.
Culturally, it’s an adult counter-myth to both the fairy tale and the grit narrative. Some problems don’t yield to perseverance; they yield to honesty and exit. Bancroft’s sting is a warning: choose wrong, and effort becomes the instrument of your undoing.
Quote Details
| Topic | Marriage |
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