"If you were to make little fishes talk, they would talk like whales"
About this Quote
Ventriloquism is the quiet vice of people who think they are listening. Goldsmith’s line skewers the way we project our own scale, vocabulary, and self-importance onto smaller lives: give “little fishes” the gift of speech and, instantly, they start sounding like “whales” because the translator can’t help but smuggle in grandeur. It’s a compact joke with teeth. The image is cute; the accusation is not. Goldsmith is mocking the human habit of mistaking imitation for understanding, and of assuming that greatness must speak in a booming register.
The specific intent feels like a warning to writers, philosophers, and polite society alike: beware the “as told to” version of reality. When we narrate the poor, the colonized, the young, the rural, the animal, we often inflate them into whatever our culture already reveres. Even sympathy can become a kind of domination if it refuses to let the subject remain small, strange, or ordinary.
Context matters: Goldsmith is an Enlightenment-era satirist with a poet’s ear for falseness. His period loved “nature” and “reason,” but it also loved fables and moralizing portraits of “simple” people. The line punctures that fashion. It’s not anti-imagination; it’s anti-presumption. The wit works because the metaphor is instantly legible (fish, whales, scale), then flips into an ethical critique: the problem isn’t that the little fish can’t speak, it’s that we can’t stop making them sound like us at our loudest.
The specific intent feels like a warning to writers, philosophers, and polite society alike: beware the “as told to” version of reality. When we narrate the poor, the colonized, the young, the rural, the animal, we often inflate them into whatever our culture already reveres. Even sympathy can become a kind of domination if it refuses to let the subject remain small, strange, or ordinary.
Context matters: Goldsmith is an Enlightenment-era satirist with a poet’s ear for falseness. His period loved “nature” and “reason,” but it also loved fables and moralizing portraits of “simple” people. The line punctures that fashion. It’s not anti-imagination; it’s anti-presumption. The wit works because the metaphor is instantly legible (fish, whales, scale), then flips into an ethical critique: the problem isn’t that the little fish can’t speak, it’s that we can’t stop making them sound like us at our loudest.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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