"If you've got Mystique as your girlfriend the fun you could have in bed - I've just imagined X-Men 3 might open with me in bed with Patrick Stewart"
About this Quote
McKellen’s joke is doing triple duty: it’s a dirty riff on superhero logistics, a sly piece of queer camp, and a pointed reminder that blockbuster culture runs on bodies as much as it runs on lore. Mystique, the X-Men shapeshifter, isn’t just a fantasy girlfriend in the usual male-geek sense; she’s a literal device for sexual possibility. The punchline lands because the character can become anyone, which lets McKellen pivot from locker-room innuendo to a deliberately outrageous image: waking up with Patrick Stewart. It’s not just “older men can be sexy, too” (though that’s in there); it’s also McKellen, a high-profile gay actor, casually queering the franchise’s most respectable, paternal figure.
The subtext is competence: he knows exactly how to puncture the solemnity that superhero movies often wrap around themselves. X-Men trades heavily on allegory about identity, stigma, and “passing.” McKellen takes that thematic engine and drags it into the bedroom, where identity politics and desire get messier and funnier. It’s a reminder that shapeshifting is, in cultural terms, always about anxieties and fantasies around fluidity - sexual, social, even generational.
Context matters: the X-Men films arrived during a moment when queer visibility was sharpening but still carefully managed in mainstream studio product. McKellen’s aside works as a backstage wink at that management. He’s not pleading for representation; he’s teasing the machine, exploiting its own mythology to smuggle in a brash, human, frankly horny truth.
The subtext is competence: he knows exactly how to puncture the solemnity that superhero movies often wrap around themselves. X-Men trades heavily on allegory about identity, stigma, and “passing.” McKellen takes that thematic engine and drags it into the bedroom, where identity politics and desire get messier and funnier. It’s a reminder that shapeshifting is, in cultural terms, always about anxieties and fantasies around fluidity - sexual, social, even generational.
Context matters: the X-Men films arrived during a moment when queer visibility was sharpening but still carefully managed in mainstream studio product. McKellen’s aside works as a backstage wink at that management. He’s not pleading for representation; he’s teasing the machine, exploiting its own mythology to smuggle in a brash, human, frankly horny truth.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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