"I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful"
About this Quote
It lands like a compliment to himself, but it’s really an indictment of the profession’s complacency. Ted Rall frames his edge as “by default,” a sly move that refuses the heroic artist narrative. He isn’t claiming genius; he’s claiming basic competence in a field where, he argues, the bar has sunk low enough that simply clearing it looks like excellence.
The line works because it weaponizes a cartoonist’s native tool: compression. In one sentence, Rall sketches a whole ecosystem of tired symbolism, lazy “both sides” cynicism, and the kind of punchline-first thinking that mistakes smugness for insight. “So awful” is deliberately blunt, almost uncartoonishly unadorned; it reads like a heckler’s verdict rather than a critic’s, which is the point. Editorial cartooning often traffics in moral certainty and instant readability, and Rall turns that same bluntness back on his peers.
The subtext is less “I’m great” than “our standards are broken.” By implying that mediocrity dominates the marketplace, he’s also hinting at the incentives that produce it: shrinking newsrooms, reliance on syndicated content, and an audience trained to reward ideological signaling over actual argument. If editorial cartoons are supposed to distill complexity into a single image, the worst ones don’t distill; they flatten.
Rall’s jab doubles as a dare. If “default” superiority is possible, then the craft isn’t unreachable; it’s neglected. The real target isn’t individual cartoonists as much as the culture that keeps mistaking familiar clichés for sharp political vision.
The line works because it weaponizes a cartoonist’s native tool: compression. In one sentence, Rall sketches a whole ecosystem of tired symbolism, lazy “both sides” cynicism, and the kind of punchline-first thinking that mistakes smugness for insight. “So awful” is deliberately blunt, almost uncartoonishly unadorned; it reads like a heckler’s verdict rather than a critic’s, which is the point. Editorial cartooning often traffics in moral certainty and instant readability, and Rall turns that same bluntness back on his peers.
The subtext is less “I’m great” than “our standards are broken.” By implying that mediocrity dominates the marketplace, he’s also hinting at the incentives that produce it: shrinking newsrooms, reliance on syndicated content, and an audience trained to reward ideological signaling over actual argument. If editorial cartoons are supposed to distill complexity into a single image, the worst ones don’t distill; they flatten.
Rall’s jab doubles as a dare. If “default” superiority is possible, then the craft isn’t unreachable; it’s neglected. The real target isn’t individual cartoonists as much as the culture that keeps mistaking familiar clichés for sharp political vision.
Quote Details
| Topic | Sarcastic |
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