"I'm a fan of making things that I've seen but couldn't purchase, or things I bought that didn't fit the way I like"
About this Quote
Andre Benjamin is describing a creative impulse that starts in the most unglamorous place: the dressing room mirror and the store shelf. As a musician, he could frame “making things” as pure artistry, but he roots it in friction - desire meeting scarcity, taste meeting bad tailoring. That grounding matters. It positions creation not as lofty inspiration, but as a practical hack for living inside a culture that’s always selling you an identity that almost fits.
The first clause, “things that I’ve seen but couldn’t purchase,” quietly gestures at access: limited runs, high prices, gatekept fashion, the way cool is often engineered to exclude. Instead of resenting that system, he flips it. DIY becomes a form of refusal, a way to say: if the market won’t let me in, I’ll build my own door. For an artist who’s long played with persona and style as part of the music, it’s also about authorship. Wearing something you made collapses the distance between consumer and creator; your body becomes the final edit.
The second clause, “things I bought that didn’t fit the way I like,” is even more revealing. “Fit” is physical, but it’s also cultural - the mismatch between mass-produced categories and individual self-definition. Benjamin’s subtext is that taste is a moving target, and the only way to keep up is to modify, remix, and tailor the world until it matches your internal standard. That’s basically hip-hop logic applied to fabric: sample the culture, then make it yours.
The first clause, “things that I’ve seen but couldn’t purchase,” quietly gestures at access: limited runs, high prices, gatekept fashion, the way cool is often engineered to exclude. Instead of resenting that system, he flips it. DIY becomes a form of refusal, a way to say: if the market won’t let me in, I’ll build my own door. For an artist who’s long played with persona and style as part of the music, it’s also about authorship. Wearing something you made collapses the distance between consumer and creator; your body becomes the final edit.
The second clause, “things I bought that didn’t fit the way I like,” is even more revealing. “Fit” is physical, but it’s also cultural - the mismatch between mass-produced categories and individual self-definition. Benjamin’s subtext is that taste is a moving target, and the only way to keep up is to modify, remix, and tailor the world until it matches your internal standard. That’s basically hip-hop logic applied to fabric: sample the culture, then make it yours.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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