"I'm a firm believer in doing things that scare you"
About this Quote
Fear is doing double duty here: it’s both the warning light and the green light. “I’m a firm believer” frames Catherine Bell’s line as a personal creed, not a motivational poster slogan, and that firmness matters. It signals discipline: fear isn’t an excuse to retreat, it’s a data point to act on. The phrasing quietly swaps out “confidence” for something more honest. You don’t have to feel ready; you just have to move.
In the context of modeling, “doing things that scare you” isn’t only about adrenaline stunts or public speaking. It’s the daily exposure therapy of being watched, measured, photographed, judged, replaced. The industry runs on vulnerability packaged as poise, and this quote reads like a survival strategy: treat intimidation as a compass toward growth, not a verdict on your worth. The subtext is pragmatic, even slightly defiant: if you wait until you’re comfortable, you’re waiting to be sidelined.
There’s also a neat rhetorical trick in the vagueness of “things.” It lets the listener insert their own fear: a risk, a boundary, a career pivot, an audition, a breakup, a “no” to a bad deal. That openness is why it travels well culturally, especially in a time when “authenticity” is often marketed but caution is punished. Bell’s line doesn’t romanticize fear; it recruits it. Fear becomes proof you’ve found a threshold, and thresholds are where careers - and self-concepts - actually change.
In the context of modeling, “doing things that scare you” isn’t only about adrenaline stunts or public speaking. It’s the daily exposure therapy of being watched, measured, photographed, judged, replaced. The industry runs on vulnerability packaged as poise, and this quote reads like a survival strategy: treat intimidation as a compass toward growth, not a verdict on your worth. The subtext is pragmatic, even slightly defiant: if you wait until you’re comfortable, you’re waiting to be sidelined.
There’s also a neat rhetorical trick in the vagueness of “things.” It lets the listener insert their own fear: a risk, a boundary, a career pivot, an audition, a breakup, a “no” to a bad deal. That openness is why it travels well culturally, especially in a time when “authenticity” is often marketed but caution is punished. Bell’s line doesn’t romanticize fear; it recruits it. Fear becomes proof you’ve found a threshold, and thresholds are where careers - and self-concepts - actually change.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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