"I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record"
About this Quote
There is something accidentally revealing in how Duncan Sheik tries to pay a compliment and ends up sketching a whole ecosystem of influence, place, and credibility in one slightly tangled sentence. He opens with a classic musician move: name-dropping a revered artist (P.J. Harvey) as a shorthand for taste, seriousness, a certain post-grunge literate edge. It’s not just fandom; it’s a signal flare to the kind of listener who treats record collections like moral résumes.
Then the line swerves: “you can really hear New York in his record.” The pronoun slip is doing real work. Harvey is “P.J.” and “his,” blurred into a masculine auteur figure, which hints at how rock culture often files artists into a mythic lineage first and their actual identities second. It’s less a factual statement than a reflex: influence gets narrated through familiar archetypes.
The more interesting claim is the geography. “Hear New York” is an old, loaded idea in music talk: not a literal sound so much as an atmosphere - density, abrasion, nervous energy, the sense of scenes overlapping in a single subway stop. Sheik’s own career sits at the intersection of introspective pop and downtown cool, so invoking New York is a way to locate a record within a prestige map: not just good, but of a place that confers cultural legitimacy.
The subtext: this record belongs to a lineage Sheik wants to be adjacent to, where taste is a passport and cities are genres.
Then the line swerves: “you can really hear New York in his record.” The pronoun slip is doing real work. Harvey is “P.J.” and “his,” blurred into a masculine auteur figure, which hints at how rock culture often files artists into a mythic lineage first and their actual identities second. It’s less a factual statement than a reflex: influence gets narrated through familiar archetypes.
The more interesting claim is the geography. “Hear New York” is an old, loaded idea in music talk: not a literal sound so much as an atmosphere - density, abrasion, nervous energy, the sense of scenes overlapping in a single subway stop. Sheik’s own career sits at the intersection of introspective pop and downtown cool, so invoking New York is a way to locate a record within a prestige map: not just good, but of a place that confers cultural legitimacy.
The subtext: this record belongs to a lineage Sheik wants to be adjacent to, where taste is a passport and cities are genres.
Quote Details
| Topic | Music |
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