"I'm a very obsessive type. If I do get into it, I'll soon be there 12 hours a day. I just don't want to do that"
About this Quote
There’s a sly self-portrait hiding in that plainspoken warning: Yoko Ono admits she has the temperament for total devotion, then immediately draws a boundary against it. The line is built on a paradox that feels especially modern. Obsession is framed as both superpower and trap, a force that can make art (12 hours a day, monk-like focus) and also devour the person making it. The punch is in the last clause: “I just don’t want to do that.” Not “I can’t,” not “I shouldn’t” - “I don’t want.” It’s an assertion of agency, and it quietly rejects the romantic mythology that the real artist must be consumed.
The subtext is about control: managing attention before it becomes compulsion. Coming from Ono, this lands with extra resonance. Her career has been read through other people’s obsessions - the press’s fixation on her as a villain in the Beatles story, audiences treating her avant-garde work as provocation rather than practice, critics eager to turn her into symbol instead of artist. She’s describing a personality trait, but also an ecosystem: fame and scrutiny can turn “getting into it” into an all-day performance.
The intent, then, isn’t to sound lazy or cautious. It’s to defend a kind of sustainable creativity - the choice to stop before intensity becomes identity. In a culture that fetishizes hustle and “all-in” genius, Ono’s restraint is its own countercultural gesture.
The subtext is about control: managing attention before it becomes compulsion. Coming from Ono, this lands with extra resonance. Her career has been read through other people’s obsessions - the press’s fixation on her as a villain in the Beatles story, audiences treating her avant-garde work as provocation rather than practice, critics eager to turn her into symbol instead of artist. She’s describing a personality trait, but also an ecosystem: fame and scrutiny can turn “getting into it” into an all-day performance.
The intent, then, isn’t to sound lazy or cautious. It’s to defend a kind of sustainable creativity - the choice to stop before intensity becomes identity. In a culture that fetishizes hustle and “all-in” genius, Ono’s restraint is its own countercultural gesture.
Quote Details
| Topic | Work-Life Balance |
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