"I'm afraid I'm still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private"
About this Quote
Fame, in Cisneros's framing, isn't a prize; it's a kind of annexation. "Everyone wants a piece of me" turns public attention into bodily language, suggesting that readership, institutions, and the marketplace don't just want her work - they want access to her. The line quietly rebukes the idea that visibility is an uncomplicated good, especially for a writer whose career has often been treated as representative, even emblematic. When a living author gets positioned as a symbol - of a community, a movement, a syllabus - demand multiplies: invitations, panels, interviews, the expectation to be endlessly legible.
The intent here is less confession than boundary-setting. "Still trying to find that balance" is disarmingly modest, but it also refuses the tidy narrative of the fully formed public intellectual who has mastered celebrity. Cisneros admits the problem persists because the conditions keep changing: "especially now" signals a particular moment of intensified attention, the kind that can follow canonization, awards, or becoming a staple in classrooms. Her work's intimacy becomes a trap; the more personal the writing feels, the more some readers feel entitled to the person.
The subtext is strategic: reclusiveness isn't antisocial; it's occupational hygiene. "Pick and choose when I am public and when I am private" reframes privacy as an active practice, not a default setting. For a writer, the private self is the source material and the laboratory. Guarding it isn't aloofness. It's how the work stays hers.
The intent here is less confession than boundary-setting. "Still trying to find that balance" is disarmingly modest, but it also refuses the tidy narrative of the fully formed public intellectual who has mastered celebrity. Cisneros admits the problem persists because the conditions keep changing: "especially now" signals a particular moment of intensified attention, the kind that can follow canonization, awards, or becoming a staple in classrooms. Her work's intimacy becomes a trap; the more personal the writing feels, the more some readers feel entitled to the person.
The subtext is strategic: reclusiveness isn't antisocial; it's occupational hygiene. "Pick and choose when I am public and when I am private" reframes privacy as an active practice, not a default setting. For a writer, the private self is the source material and the laboratory. Guarding it isn't aloofness. It's how the work stays hers.
Quote Details
| Topic | Work-Life Balance |
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