"I'm always looking to create new avenues or new visions of music"
About this Quote
Restlessness is the engine in Herbie Hancock's sentence, and he frames it with the calm certainty of someone who has already reinvented the map multiple times. "Always looking" isn’t a boast; it’s a posture. It signals process over product, the daily discipline of curiosity that keeps an artist from calcifying into their own legend. Hancock doesn’t say he’s chasing better songs or bigger audiences. He’s chasing "new avenues" and "new visions" - spatial metaphors that treat music like a city still under construction, not a museum with velvet ropes.
The word choice matters. "Avenues" implies infrastructure: routes you can travel, expand, share. That’s a social idea of innovation, not just private genius. "Visions" tilts toward the interior, the imaginative leap before technique catches up. Put together, the line captures Hancock’s career-long oscillation between craft and futurism: hard-bop virtuosity, electric fusion, synth experiments, hip-hop collaborations, and a willingness to treat technology as an instrument rather than a threat.
The subtext is a quiet refusal of nostalgia, especially potent in jazz, a genre that can reward reverence so heavily it risks self-parody. Hancock is hinting that tradition isn’t something you protect by freezing it; you protect it by stress-testing it. The intent reads like a creative ethic and a dare: if music is alive, it should keep growing new streets, not just replay the old ones.
The word choice matters. "Avenues" implies infrastructure: routes you can travel, expand, share. That’s a social idea of innovation, not just private genius. "Visions" tilts toward the interior, the imaginative leap before technique catches up. Put together, the line captures Hancock’s career-long oscillation between craft and futurism: hard-bop virtuosity, electric fusion, synth experiments, hip-hop collaborations, and a willingness to treat technology as an instrument rather than a threat.
The subtext is a quiet refusal of nostalgia, especially potent in jazz, a genre that can reward reverence so heavily it risks self-parody. Hancock is hinting that tradition isn’t something you protect by freezing it; you protect it by stress-testing it. The intent reads like a creative ethic and a dare: if music is alive, it should keep growing new streets, not just replay the old ones.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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