"I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio"
About this Quote
There’s a quiet tenderness in the way Frank Rich frames ambition as a kind of migration story. “The kids who turn up” isn’t glamorous language; it’s almost observational, like a critic watching a familiar ritual repeat itself. Rich is pointing to a generational pattern: young people arriving in the cultural capitals with a bag full of hopes and a head full of scripts, chasing the industries that still concentrate power in a few zip codes.
The list structure matters. New York and LA are the obvious poles, but “and places in between. Chicago.” lands like a corrective. It widens the map while still acknowledging the hierarchy. Even in that quick detour, Rich is registering how the American arts economy both centralizes and mythologizes opportunity: you can “turn up” anywhere, but the story we tell ourselves about being discovered still gravitates toward a small set of cities.
His repetition of “Wanting to…” does double duty. On the surface it’s sympathetic, a simple description of creative desire. Underneath, it’s a subtle critique of how wanting is institutionalized: theater, indie film, television, radio read less like pure art forms than like gates, lanes, career tracks. “Break into” is the tell. It implies an enclosure - an industry fortified by money, connections, and luck - and a class of outsiders trying to breach it.
Rich, a journalist and longtime cultural critic, is also speaking from insider proximity. The tone suggests he’s seen both the promise and the churn: the hopeful arrivals, the invisible casualties, the way cities become engines that run on fresh desire.
The list structure matters. New York and LA are the obvious poles, but “and places in between. Chicago.” lands like a corrective. It widens the map while still acknowledging the hierarchy. Even in that quick detour, Rich is registering how the American arts economy both centralizes and mythologizes opportunity: you can “turn up” anywhere, but the story we tell ourselves about being discovered still gravitates toward a small set of cities.
His repetition of “Wanting to…” does double duty. On the surface it’s sympathetic, a simple description of creative desire. Underneath, it’s a subtle critique of how wanting is institutionalized: theater, indie film, television, radio read less like pure art forms than like gates, lanes, career tracks. “Break into” is the tell. It implies an enclosure - an industry fortified by money, connections, and luck - and a class of outsiders trying to breach it.
Rich, a journalist and longtime cultural critic, is also speaking from insider proximity. The tone suggests he’s seen both the promise and the churn: the hopeful arrivals, the invisible casualties, the way cities become engines that run on fresh desire.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
More Quotes by Frank
Add to List


