"I'm always surprised by things that happen to my work"
About this Quote
There is a sly humility baked into Bogosian's line, but it isn't the fake modesty of an artist pretending not to know they're good. It's the kind that comes from living in the messy middle between control and collision. "My work" sounds possessive until the sentence undercuts it: things happen to it, as if the work has its own weather system. For an actor and playwright shaped by downtown theater and monologue-driven performance, that rings true. You can write a razor-edged character study, rehearse it to death, and still watch it mutate the second a live audience starts breathing in the room.
The intent feels like a quiet warning against the myth of mastery. Bogosian's best-known work often circles power, performance, and people selling versions of themselves; here he flips that lens onto the artist. The subtext: art isn't a product you ship, it's an event you trigger. Directors interpret. Co-stars bring different temperature. Audiences laugh at the line you thought would sting, go silent at the joke you expected to land. Even your own body changes over time, and suddenly the same material carries a different menace or tenderness.
Context matters: an actor's relationship to authorship is always unstable. You're both the instrument and the interpreter. Bogosian's surprise isn't naivete; it's respect for the fact that once the work leaves your head, it becomes social. That slight astonishment is also a creative strategy: staying surprised keeps the performance alive, and it keeps the ego from strangling the thing you're trying to make.
The intent feels like a quiet warning against the myth of mastery. Bogosian's best-known work often circles power, performance, and people selling versions of themselves; here he flips that lens onto the artist. The subtext: art isn't a product you ship, it's an event you trigger. Directors interpret. Co-stars bring different temperature. Audiences laugh at the line you thought would sting, go silent at the joke you expected to land. Even your own body changes over time, and suddenly the same material carries a different menace or tenderness.
Context matters: an actor's relationship to authorship is always unstable. You're both the instrument and the interpreter. Bogosian's surprise isn't naivete; it's respect for the fact that once the work leaves your head, it becomes social. That slight astonishment is also a creative strategy: staying surprised keeps the performance alive, and it keeps the ego from strangling the thing you're trying to make.
Quote Details
| Topic | Writing |
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