"I'm continuing to produce and will start a new record soon, as well"
About this Quote
There is a quiet flex in this line: not the dramatic comeback announcement, not the tortured-artist manifesto, just the steady insistence of someone who refuses to be written in past tense. Kenneth Edmonds, better known to most listeners as Babyface, frames creativity as ongoing work, not a lightning bolt. The phrasing matters. "Continuing" implies a long runway behind him and a reliable engine still running. "Will start" signals momentum without begging for hype. "As well" tacks it on almost casually, like making another record is simply part of keeping the lights on.
The intent is both practical and strategic. For a musician whose legacy spans songwriting, production, and shaping other people's hits, the statement reassures multiple audiences at once: fans who want a new chapter, collaborators watching for availability, and an industry that can quietly sideline veterans unless they constantly reassert relevance. He doesn't claim reinvention; he claims presence.
The subtext is that longevity is a choice. In pop, age is often treated like a genre you eventually get shoved into. Edmonds sidesteps that trap by speaking the language of process: producing, starting, working. It's a reminder that the backstage labor - arranging, polishing, listening harder than everyone else - is its own form of authorship.
Contextually, it's the kind of line that lands in an era where catalogs and nostalgia tours can become comfortable cages. He’s signaling he won’t just curate the past; he’s still building the next thing.
The intent is both practical and strategic. For a musician whose legacy spans songwriting, production, and shaping other people's hits, the statement reassures multiple audiences at once: fans who want a new chapter, collaborators watching for availability, and an industry that can quietly sideline veterans unless they constantly reassert relevance. He doesn't claim reinvention; he claims presence.
The subtext is that longevity is a choice. In pop, age is often treated like a genre you eventually get shoved into. Edmonds sidesteps that trap by speaking the language of process: producing, starting, working. It's a reminder that the backstage labor - arranging, polishing, listening harder than everyone else - is its own form of authorship.
Contextually, it's the kind of line that lands in an era where catalogs and nostalgia tours can become comfortable cages. He’s signaling he won’t just curate the past; he’s still building the next thing.
Quote Details
| Topic | Music |
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