"I'm dealing in rock'n'roll. I'm, like, I'm not a bona fide human being"
About this Quote
There’s a perverse glamour in Spector framing himself as a black-market dealer of rock’n’roll rather than a participant in ordinary life. “I’m dealing” makes the music sound like contraband: not art made in a room, but product moved through power, money, and leverage. It’s a producer’s boast disguised as self-erasure. The point isn’t that he’s in the studio; it’s that he controls the supply chain of feeling.
The stammering repetitions - “I’m, like, I’m” - do double duty. They perform spontaneity while also suggesting someone trying to talk himself into an identity that can’t sit still. Then comes the killer pivot: “I’m not a bona fide human being.” On the surface it’s a joke, a showbiz line about being consumed by the work. Underneath, it’s a preemptive alibi. If he’s not fully human, normal rules don’t quite apply. That’s the subtext of a lot of genius mythology: exceptional output as exemption from accountability.
Context sharpens the edge. Spector wasn’t a frontman risking embarrassment onstage; he was the architect behind the glass, building the “Wall of Sound” and cultivating a legend of obsessive control. Calling himself less-than-human is both brand strategy and confession: the producer as machine, as monster, as man who can manufacture transcendence while refusing the basic obligations of personhood. In hindsight, the line reads less like eccentricity and more like warning label.
The stammering repetitions - “I’m, like, I’m” - do double duty. They perform spontaneity while also suggesting someone trying to talk himself into an identity that can’t sit still. Then comes the killer pivot: “I’m not a bona fide human being.” On the surface it’s a joke, a showbiz line about being consumed by the work. Underneath, it’s a preemptive alibi. If he’s not fully human, normal rules don’t quite apply. That’s the subtext of a lot of genius mythology: exceptional output as exemption from accountability.
Context sharpens the edge. Spector wasn’t a frontman risking embarrassment onstage; he was the architect behind the glass, building the “Wall of Sound” and cultivating a legend of obsessive control. Calling himself less-than-human is both brand strategy and confession: the producer as machine, as monster, as man who can manufacture transcendence while refusing the basic obligations of personhood. In hindsight, the line reads less like eccentricity and more like warning label.
Quote Details
| Topic | Music |
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